The Fairy Mythology: Illustrative of the Romance and Superstition of Various Countries — John Shaqi
The Fairy Mythology: Illustrative of the Romance and Superstition of Various CountriesKeightley, Thomas
General
The Fairy Mythology: Illustrative of the Romance and Superstition of Various Countries
Keightley, Thomas
Fairies; Fairy tales; Folk literature; Folklore
The noises and eruptions of Ætna and Stromboli were, in ancient times,
ascribed to Typhon or Vulcan, and at this day the popular belief
connects them with the infernal regions. The sounds resembling the
clanking of chains, hammering of iron, and blowing of bellows, once to
be heard in the island of Barrie, were made by the fiends whom Merlin
had set to work to frame the wall of brass to surround Caermarthen.[2]
The marks which natural causes have impressed on the solid and
unyielding granite rock were produced, according to the popular creed,
by the contact of the hero, the saint, or the god: masses of stone,
resembling domestic implements in form, were the toys, or the
corresponding implements of the heroes and giants of old. Grecian
imagination ascribed to the galaxy or milky way an origin in the teeming
breast of the queen of heaven: marks appeared in the petals of flowers
on the occasion of a youth's or a hero's untimely death: the rose
derived its present hue from the blood of Venus, as she hurried barefoot
through the woods and lawns; while the professors of Islâm, less
fancifully, refer the origin of this flower to the moisture that exuded
from the sacred person of their prophet. Under a purer form of religion,
the cruciform stripes which mark the back and shoulders of the patient
ass first appeared, according to the popular tradition, when the Son of
God condescended to enter the Holy City, mounted on that animal; and a
fish only to be found in the sea[3] stills bears the impress of the
finger and thumb of the apostle, who drew him out of the waters of Lake
Tiberias to take the tribute-money that lay in his mouth. The repetition
of the voice among the hills is, in Norway and Sweden, ascribed to the
Dwarfs mocking the human speaker, while the more elegant fancy of Greece
gave birth to Echo, a nymph who pined for love, and who still fondly
repeats the accents that she hears. The magic scenery occasionally
presented on the waters of the Straits of Messina is produced by the
power of the Fata Morgana; the gossamers that float through the haze of
an autumnal morning, are woven by the ingenious dwarfs; the verdant
circlets in the mead are traced beneath the light steps of the dancing
elves; and St. Cuthbert forges and fashions the beads that bear his
name, and lie scattered along the shore of Lindisfarne.[4]
In accordance with these laws, we find in most countries a popular
belief in different classes of beings distinct from men, and from the
higher orders of divinities. These beings are usually believed to
inhabit, in the caverns of earth, or the depths of the waters, a
region of their own. They generally excel mankind in power and in
knowledge, and like them are subject to the inevitable laws of death,
though after a more prolonged period of existence.
Public-domain text, read in full here on John Shaqi.
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