The Fairy Mythology: Illustrative of the Romance and Superstition of Various Countries — John Shaqi
The Fairy Mythology: Illustrative of the Romance and Superstition of Various CountriesKeightley, Thomas
General
The Fairy Mythology: Illustrative of the Romance and Superstition of Various Countries
Keightley, Thomas
Fairies; Fairy tales; Folk literature; Folklore
At the end of ten years the merchant became embarrassed in his
circumstances, and he found it necessary to undertake a long voyage.
He committed the Peri to the care of an aged matron in whom he had the
greatest confidence, and to whom he revealed the secret of her real
nature, and showed the spot where he had concealed her raiment. He
then "placed the foot of departure in the stirrup of travel," and set
out on his journey. The Peri was now overwhelmed with sorrow for his
absence, or for some more secret cause, and continually uttered
expressions of regret. The old woman sought to console her, assuring
her that "the dark night of absence would soon come to an end, and the
bright dawn of interview gleam from the horizon of divine bounty." One
day when the Peri had bathed, and was drying her amber-scented tresses
with a corner of her veil, the old woman burst out into expressions of
admiration at her dazzling beauty. "Ah, nurse," replied she, "though
you think my present charms great, yet had you seen me in my native
raiment, you would have witnessed what beauty and grace the Divine
Creator has bestowed upon Peries; for know that we are among the most
finished portraits on the tablets of existence. If then thou desirest
to behold the skill of the divine artist, and admire the wonders of
creation, bring the robes which my husband has kept concealed, that I
may wear them for an instant, and show thee my native beauty, the like
of which no human eye, but my lord's, hath gazed upon."
The simple woman assented, and fetched the robes and presented them to
the Peri. She put them on, and then, like a bird escaped from the
cage, spread her wings, and, crying Farewell, soared to the sky and
was seen no more. When the merchant returned from his voyage "and
found no signs of the rose of enjoyment on the tree of hope, but the
lamp of bliss extinguished in the chamber of felicity, he became as
one Peri-stricken,[37] a recluse in the cell of madness. Banished
from the path of understanding, he remained lost to all the bounties
of fortune and the useful purposes of life."
* * * * *
The Peri has been styled "the fairest creation of poetical imagination."
No description can equal the beauty of the female Peri,[38] and the
highest compliment a Persian poet can pay a lady is to liken her to one
of these lovely aerial beings.[39] Thus Sâdee, in the lines prefixed to
this section, declares that only the beauty of a Peri can be compared
with that of the fair one he addresses; and more lately, Aboo Taleeb
Khân says to Lady Elgin, as he is translated by M. von Hammer,[40]
The sun, the moon, the Peries, and mankind,
Compared with you, do far remain behind;
For sun and moon have never form so mild,
The Peries have, but roam in deserts wild.
Public-domain text, read in full here on John Shaqi.
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