The Fairy Mythology: Illustrative of the Romance and Superstition of Various Countries — John Shaqi
The Fairy Mythology: Illustrative of the Romance and Superstition of Various CountriesKeightley, Thomas
General
The Fairy Mythology: Illustrative of the Romance and Superstition of Various Countries
Keightley, Thomas
Fairies; Fairy tales; Folk literature; Folklore
Never, I am convinced, did any one enter on a literary career with
more reluctance than I did when I found it to be my only
resource--fortune being gone, ill health and delicacy of constitution
excluding me from the learned professions, want of interest from
every thing else. As I journeyed to the metropolis, I might have sung
with the page whom Don Quixote met going a-soldiering:
A la guerra me lleva--mi necesidad,
Si tuviera dineros--no fuera en verdad
for of all arts and professions in this country, that of literature is
the least respected and the worst remunerated. There is something
actually degrading in the expression "an author by trade," which I have
seen used even of Southey, and that by one who did not mean to disparage
him in the slightest degree. My advice to those who may read these pages
is to shun literature, if not already blest with competence.
One of my earliest literary friends in London was T. Crofton Croker,
who was then engaged in collecting materials for the Fairy Legends of
the South of Ireland. He of course applied to his friends for aid and
information; and I, having most leisure, and, I may add, most
knowledge, was able to give him the greatest amount of assistance. My
inquiries on the subject led to the writing of the present work, which
was succeeded by the Mythology of Ancient Greece and Italy, and the
Tales and Popular Fictions; so that, in effect, if Mr. Croker had not
planned the Fairy Legends, these works, be their value what it may,
would in all probability never have been written.
Writing and reading about Fairies some may deem to be the mark of a
trifling turn of mind. On this subject I have given my ideas in the
Conclusion; here I will only remind such critics, that as soon as this
work was completed, I commenced, and wrote in the space of a few
weeks, my Outlines of History; and whatever the faults of that work
may be, no one has ever reckoned among them want of vigour in either
thought or expression. It was also necessary, in order to write this
work and its pendent, to be able to read, perhaps, as many as eighteen
or twenty different languages, dialects, and modes of orthography,
and to employ different styles both in prose and verse. At all events,
even if it were trifling, _dulce est desipere in loco_; and I shall
never forget the happy hours it caused me, especially those spent over
the black-letter pages of the French romances of chivalry, in the old
reading-room of the British Museum.
Public-domain text, read in full here on John Shaqi.
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