The Falls of Niagara and Other Famous CataractsHolley, George W. (George Washington)
History
The Falls of Niagara and Other Famous Cataracts
Holley, George W. (George Washington)
Niagara Falls (N.Y. and Ont.) -- Description and Travel; Niagara River (N.Y. and Ont.) -- History; Waterfalls
The cleft in the bed-rock which forms the outlet of the basin is one of
the narrowest parts of the river, being only four hundred feet in
width. Standing on one side of this gorge, and considering that the
whole volume of the water in the river is rushing through it, the
spectator witnesses a manifestation of physical force which makes a more
vivid impression upon his mind than even the great Fall itself. No
extravagant attempt at fine writing, no studied and elaborate
description, can exaggerate the wonderful beauty and fascination of this
pool. It is separated from the habitations of men, at a distance from
any highway, and lies secluded in the midst of a small tract of wood
which has fortunately been preserved around it, in which the dark and
pale greens of stately pines and cedars predominate. Within the basin
the waters are rushing onward, plunging downward, leaping upward,
combing over at the top in beautiful waves and ruffles of dazzling
whiteness, shaded down through all the opalescent tints to the deep
emerald at their base. It is ever varying, never presenting the same
aspect in any two consecutive moments, and the beholder is lost in
admiration as he comprehends more and more the many-sided and varied
beauties of the matchless scene. No one visiting the Whirlpool should
fail to go down the bank to the water's edge. On a bright summer
morning, after a night shower has laid the dust, cleansed and brightened
the foliage of shrub and tree, purified and glorified the atmosphere,
there are few more inviting and charming views.
The remaining portion of this section is the Whirlpool rapid, a
beautiful curve, reaching up just above the Railway Suspension Bridge.
It was the most tumultuous and dangerous portion of the voyage once made
by the _Maid of the Mist_. The water is in a perpetual tumult, a
perfect embodiment of the spirit of unrest. Owing to the rapidity of the
descent and the narrowness of the curve, the water is forced into a
broken ridge in the center of the channel. There, in its wild tumult, it
is tossed up into fanciful cones and mounds, which are crowned with a
flashing coronal of liquid gems by the isolated drops and delicate spray
thrown off from the whirling mass, and rising sometimes to the height of
thirty feet. Standing on the bridge and looking down-stream, the
spectator will see near by, on the American shore, a very good
illustration of the manner in which the shale, there cropping out above
the surface of the water, is worn away, leaving the superposed rock
projecting beyond it.
In the third and last section the shale continues its downward dip, and
at several places entirely disappears. The rock lying upon it is quite
compact, and some of it very hard. The deep water into which the falling
water was formerly received partially protected the shale, so that many
centuries must have elapsed before the excavation of this section was
completed. Its average width is eleven hundred feet.
Public-domain text, read in full here on John Shaqi.
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