The fanatics : $b A comedy in three actsMalleson, Miles
General
The fanatics : $b A comedy in three acts
Malleson, Miles
England -- Drama; Families -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Veterans -- Drama
GWEN: Oh! sorry; I thought you were upstairs.
JOHN: Come in. You do know one another, don’t you?
COLIN: Yes. We’ve met. How d’you do?
[_They shake hands._
JOHN: I’ll get that score. (_He moves to the door._)
COLIN (_to GWEN_): I wonder if you remember where we met?
GWEN: Quite well; at a concert; you were very nice to me.
COLIN: I’m very glad.
GWEN: A man played some very modern music--and you asked me what I
thought of it; I didn’t like it a bit really, but I didn’t like to say
so; and you said it was the sort of music one never ought to hear for
the first time.
COLIN: Not such a bad remark; I wonder where I heard it ... do you play
and sing, and have your brother’s accomplishments?
GWEN: I don’t do anything.
JOHN (_who has stopped to select a fruit from the table--as he
disappears_): Painting’s Gwen’s forte.
COLIN: Painting?
GWEN: I’ve given it up....
COLIN: Why?
GWEN: I don’t know.
COLIN: I should like to see something of yours.
GWEN: That’s mine. (_She indicates a little painting on the wall that
is hung close to another.... He goes to it._) I was very young.
COLIN: It’s very good.
GWEN: I used to love painting.
COLIN (_moving to the other picture_): This yours too?
GWEN: No; that’s by ... somebody else.
[_He looks at her--and back at the picture._
COLIN (_meaning it_): It’s quite beautiful.
GWEN (_with eagerness_): Do you think so?... I do.
COLIN: It’s not unlike yours ... you knew the painter?
GWEN (_simply_): I wanted to marry him ... only ... well, he was quite
poor, so it was stopped. And then he was killed.
COLIN: In the war?
GWEN: Yes.
COLIN: I’m sorry.
GWEN: I’ve got over it. I didn’t think I should--but I have.
[_They look at each other and smile._
COLIN: Why has your brother kept us apart all this time?
GWEN: Has he?
COLIN: I know him so well; it seems absurd I know you so little.
GWEN: Well--here I am!
COLIN: And I’ve got to rush away; I’m sorry----
GWEN: So am I.
COLIN: I’m going to hear this new ballet: I wish you were coming.
GWEN: So do I.
COLIN: I’m taking somebody. I’ve got the last two seats in the
house.... Will you come to-morrow night?
GWEN: Yes.
COLIN: Do you go to bed very early?
GWEN (_laughing_): Why?
COLIN: If I come in after the ballet--to tell you whether I’ve got
tickets--will you have disappeared?
GWEN: No.
[_JOHN returns with the music score._
COLIN: Thanks ... I must be off.... (_To GWEN_) Then I won’t say good
night.... John, I’m going to look in on my way back from the show.
JOHN: Do ... bring Margaret ... what time does this thing begin?
[_They disappear.... GWEN is quiet in the room till her brother’s
return._
JOHN: If you’re going into the drawing-room, I wish you’d tell Frankie
I want to see her.
GWEN: Is he married?
JOHN: Colin?
GWEN: Yes.
JOHN: No.
GWEN: Does he live by himself?
JOHN: Er ... as a matter of fact I believe he does, at the moment.
GWEN (_point-blank_): What’s that mean, Jacko?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account