The fanatics : $b A comedy in three actsMalleson, Miles
General
The fanatics : $b A comedy in three acts
Malleson, Miles
England -- Drama; Families -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Veterans -- Drama
[_JOHN opens the bedroom door for her, and she passes into the room;
he shuts the door after her ... there is a little silence between
JOHN and FRANKIE._
JOHN (_quietly, almost tonelessly, speaking facts_): I met her during
the war when I was on leave ... we had supper after the theatre, and
I went back to her flat--and stayed there ... and I’ve been there,
sometimes, ever since.
[_She doesn’t answer._
... I’m very sorry it should have happened like this.
FRANKIE: I never dreamed of anything like it.... I trusted you ... I
hate being deceived ... it’s been going on all this time and I never
knew it ... all the time you were with me.
JOHN (_quickly_): But I never made love to you ... it’s been absolutely
apart from the rest of my life here. She’s never been here before.
FRANKIE: Hasn’t she?
JOHN: No.... They were two quite distinct relationships, mine with
you--and with her.
FRANKIE: I should hope so!
JOHN: I’ve not made love to you, not because I haven’t wanted to, but
because you didn’t want me to....
FRANKIE: I’m glad I didn’t. I don’t want to share that sort of thing,
thank you.
JOHN: You wouldn’t have done.
FRANKIE: What do you mean?
JOHN: If you’d wanted to make love, I shouldn’t have wanted anybody
else.
FRANKIE: That’s easy enough to say now.
JOHN: I’ve been wrong. I’ve let things drift.
FRANKIE: Why?
JOHN: All this time, I’ve hoped something would flare up between us,
and then it would have been perfect--but it hasn’t.
FRANKIE: You say it’s my fault too!
JOHN: It’s nobody’s fault. We’re different--that’s all.
FRANKIE: Do you want to marry this girl?
JOHN: No.
FRANKIE: I don’t understand----
JOHN: Frankie, don’t cry.
FRANKIE (_through her tears_): And this morning I was talking to mother
about furnishing ... and the little house ... it’s arranged, nearly ...
what’ll everybody say? Oh, it’s too bad of you!
JOHN: I’m awfully sorry; I ought to have had it out before; I’m sorry;
don’t cry....
FRANKIE: Don’t talk then.
[_But she cannot stop the tears and escapes from the room. The
unhappy JOHN remaining, throws himself into the depths of his
chair; there is a knock at the door._
JOHN: Come in.
[_It is the little housemaid._
ROSIE: Please, Mr. John, there’s a lady to see you.
JOHN: Oh, my God! Where?
ROSIE: Downstairs--in the morning-room. She’s waiting.
JOHN: I’ll come.
ROSIE: ... Please, Mr. John.
JOHN: Yes?
ROSIE: About that blow-pipe ... it wasn’t my fault ... ’e blowed; I
couldn’t stop him.
JOHN: That’s all right, Rosie.... In the morning-room?
ROSIE: Yes, please, Mr. John.
[_JOHN goes out--ROSIE following ... the silence in the room is
broken by GWEN’S voice from the bedroom._
GWEN’S VOICE: You’re very quiet! ... can I come back? Can I...?
John!... Frankie!...
[_GWEN’S head comes round the corner of the door ... and is so
surprised at the emptiness that she apologises to it._
Public-domain text, read in full here on John Shaqi.
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