The fanatics : $b A comedy in three actsMalleson, Miles
General
The fanatics : $b A comedy in three acts
Malleson, Miles
England -- Drama; Families -- Drama; Man-woman relationships -- Drama; World War, 1914-1918 -- Veterans -- Drama
MARGARET: I couldn’t have married him. But he was very strong, and
good-looking ... and going back to the front. They knew what they were
going back to, and they laughed. He was the first man younger than I
was who told me that he loved me; and on his last night in England, as
if he was my child, I wanted to give him everything he asked for. And
he asked for me and--I was glad.
GWEN: I’m glad you were. Did he stop at your flat?
MARGARET: We went to an hotel. We had dinner in the West End. Across
the little table--with a shaded light on it--I kept catching him
looking at me.... One evening when nothing mattered but our happiness.
Then he went back to France, and I went home and told my man--and my
life smashed.
GWEN: Didn’t he understand?
MARGARET: Oh yes, he understood. We went to the Queen’s Hall the night
I told him, and when we got home talked till five in the morning; it
didn’t smash all at once--it just made a difference.
GWEN: I don’t understand.
MARGARET: Nor do I--altogether. _He_ had an affair soon afterwards. You
see, he’d given up everything of that sort for me, and I didn’t ... so
he didn’t ... it broke up our life together. Freedom’s a devastating
thing ... a few hours I shall never forget, and a year of hell
afterwards, and I’ve never really made up my mind whether I’m glad or
sorry.... (_To FRANKIE_) Do you disapprove of me very much?
FRANKIE: Disapprove? No. But I don’t think it’s right.
GWEN (_a quick challenge_): What’s right?
FRANKIE: When I marry I shall have kept myself for him, whoever he is.
And I hope he will, too.
MARGARET: Oh, my dear!
GWEN (_alert_): Why did you say “Oh, my dear” like that?
MARGARET: Another young man fell in love with me. (_She turns to
FRANKIE with a smile._) I’m sorry! I know it sounds _dreadful_ saying
them one after the other, quickly, like this! But there was a year of
being lonely--desperately lonely. And it hurt the young man, too; so I
let him take me away.
[_A pause._
GWEN: ... Well?
MARGARET (_to FRANKIE_): He was one of your ideal young men.
FRANKIE: Yes?
MARGARET: And not only innocent; ignorant. He knew his own needs,
vaguely; not mine, at all. I suffered from his ignorance.... But he
taught me something.
GWEN: What?
MARGARET: Why so many married women go on regarding love-making as
horrid.
GWEN: Why?
MARGARET: They’re married to men who don’t know how to make love. You
see, without gentleness and sensitiveness and consideration--and much
that comes from knowledge, what ought to be complete harmony can be
very disharmonious, what ought to be utterly satisfying to body and
soul can be utterly nerve-racking and unsatisfactory.... Somebody said
that a man who can’t make love is like an Orang-Utang playing the
fiddle.... It wants learning--the fiddle.
FRANKIE: It seems so horrid to make that part of it so important.
MARGARET: I daresay it’s not so important if it’s right. It’s
all-important if it’s wrong.
GWEN: How?
Public-domain text, read in full here on John Shaqi.
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