The Fantasy Fan, January 1934: The Fans' Own MagazineVarious
History
The Fantasy Fan, January 1934: The Fans' Own Magazine
Various
Fan magazines; Fantasy fiction -- History and criticism -- Periodicals; Fantasy fiction -- Periodicals
In the West, where the
mystical Teuton had cone down from his black Boreal forests and the
Celt remembered strange sacrifices in Druidic groves, it assumed a
terrible intensity and convincing seriousness of atmosphere which
doubled the force of its half-told, half-hinted horrors.
Much of the power of Western horror-lore was undoubtedly due to the
hidden but often suspected presence of a hideous cult of nocturnal
worshipers whose strange customs--descended from pre-Aryan and
pre-agricultural times when a squat race of Mongoloids roved over
Europe with their flocks and herds--were rooted in the most revolting
fertility-rites of immemorial antiquity. This secret religion,
stealthily handed down amongst peasants for thousands of years despite
the outward reign of the Druidic, Graeco-Roman, and Christian faiths
in the regions involved, was marked by wild "Witches' Sabbaths" in
lonely woods and atop distant hills on Walpurgis Night and Hallowe'en,
the traditional breeding-seasons of the goats and sheep and cattle;
and became the source of vast riches of sorcery legend, besides
provoking extensive witchcraft prosecutions of which the Salem affair
forms the chief American example. Akin to it in essence, and perhaps
connected with it in fact, was the frightful secret system of inverted
theology or Satan-worship which produced such horrors as the famous
"Black Mass"; whilst operating toward the same end we may note the
activities of those whose aims were somewhat more scientific or
philosophical--the astrologers, cabbalists, and alchemists of the
Albertus Magnus or Raymond Lully type, with whom such rude ages
invariably abound. The prevalence and depth of the medieval
horror-spirit in Europe, intensified by the dark despair which
waves of pestilence brought, may be fairly gauged by the grotesque
carvings slyly introduced into much of the finest later Gothic
ecclesiastical work of the time; the demoniac gargoyles of Notre
Dame and Mont St. Michel being among the most famous specimens. And
throughout the period, it must be remembered, there existed amongst
educated and uneducated alike, a most unquestioning faith in every
form of the supernatural; from the gentlest of Christian doctrines
to the most monstrous morbidities of witchcraft and black magic.
It was from no empty background that the Renaissance magicians and
alchemists--Nostradamus, Trithemius, Dr. John Dee, Robert Fludd, and
the like--were born.
Public-domain text, read in full here on John Shaqi.
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