But, hearing her far, infrequent whisper, I behold a vision of vast auroras, on continents that are wider than the world, and seas too great for the enterprise of human keels. And at times I stammer forth the strange tidings that she brings: though none will welcome them, and none will believe or listen. And in some dawn of the desperate years, I shall go forth and follow where she calls, to seek the high and beautific doom of her snow-pale distances, to perish amid her indesecrate horizons. * * * * * Tell your friends about TFF * * * * * SUPERNATURAL HORROR IN LITERATURE Part Nine by H. P. Lovecraft (copyright 1927 by W. Paul Cook) IV. The Apex of Gothic Romance Horror in literature attains a new malignity in the work of Matthew Gregory Lewis, (1773-1818) whose novel "The Monk" (1795) achieved marvelous popularity and earned him the nickname of "Monk" Lewis. This young author, educated in Germany and saturated with a body of wild Teuton lore unknown to Mrs. Radcliffe, turned to terror in forms more violent than his gentle predecessor had ever dared to think of, and produced as a result a masterpiece of active nightmare whose general Gothic cast is spiced with added stores of ghoulishness. The story is one of a Spanish monk, Ambrosio, who from a state of over-proud virtue is tempted to the very nadir of evil by a fiend in the guise of the maiden Matilda; and who is finally, when awaiting death at the Inquisition's hands, induced to purchase escape at the price of his soul from the devil, because he deems both body and soul already lost. Forthwith the mocking Fiend snatches him to a lonely place, tells him he has sold his soul in vain since both pardon and a chance for salvation were approaching at the moment of his hideous bargain, and completes the sardonic betrayal by rebuking him for his unnatural crimes, and casting his body down a precipice whilst his soul is borne off forever to perdition. The novel contains some appalling descriptions such as the incantation in the vaults beneath the convent cemetery, the burning of the convent, and the final end of the wretched abbot. In the sub-plot where the Marquis de las Cisternas meets the spectre of his erring ancestress, The Bleeding Nun, there are many enormously potent strokes, notably the visit of the animated corpse to the Marquis's bedside, and the cabalistic ritual whereby the Wandering Jew helps him to fathom and banish his dead tormentor. Nevertheless, "The Monk" drags sadly when read as a whole. It is too long and too diffuse, much of its potency is marred by flippancy and by an awkwardly excessive reaction against those canons of decorum which Lewis at first despised as prudish. One great thing may be said of the author; that he never ruined his ghostly visions with a natural explanation. He