The Fantasy Fan, Volume 1, Number 11, July 1934: The Fan's Own Magazine — John Shaqi
The Fantasy Fan, Volume 1, Number 11, July 1934: The Fan's Own MagazineVarious
History
The Fantasy Fan, Volume 1, Number 11, July 1934: The Fan's Own Magazine
Various
Fan magazines; Fantasy fiction -- History and criticism -- Periodicals; Fantasy fiction -- Periodicals
"Melmoth" contains scenes which even now have not lost their power
to evoke dread. It begins with a death-bed--the old miser is dying
of sheer fright because of something he has seen, coupled with a
manuscript he has read and a family portrait which hangs in an obscure
closet of his centuried home in County Wicklow. He sends to Trinity
College, Dublin, for his nephew John; and the latter upon arriving
notes many uncanny things. The eyes of the portrait in the closet glow
horribly, and twice a figure strangely resembling the portrait appears
momentarily at the door. Dread hangs over the house of the Melmoths,
one of whose ancestors, "J. Melmoth, 1646," the portrait represents.
The dying miser declares that this man--at a date slightly before
1800--is still alive. Finally the miser dies, and the nephew is told
in the will to destroy both the portrait and a manuscript to be found
in a certain drawer. Reading the manuscript, which was written late
in the seventeenth century by an Englishman named Stanton, young John
learns of a terrible incident in Spain in 1677, when the writer met a
horrible fellow-countryman and was told of how he had stared to death
a priest who tried to denounce him as one filled with fearsome evil.
Later, after meeting the man again in London, Stanton is cast into a
madhouse and visited by the stranger, whose approach is heralded by
spectral music and whose eyes have more than mortal glare. Melmoth the
Wanderer--for such is the malign visitor--offers the captive freedom
if he will take over his bargain with the Devil; but like all others
whom Melmoth has approached, Stanton is proof against temptation.
Melmoth's description of the horrors of a life in a madhouse, used to
tempt Stanton, is one of the most potent passages of the book. Stanton
is at length liberated, and spends the rest of his life tracking down
Melmoth, whose family and ancestral abode he discovers. With the family
he leaves the manuscript, which by young John's time is sadly ruinous
and fragmentary. John destroys both portrait and manuscript, but in
sleep is visited by his horrible ancestor, who leaves a black and blue
mark on his wrist.
Public-domain text, read in full here on John Shaqi.
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