And it was as though, in thus regaining a clearer physical vision, he
regained a clearer mental vision likewise. Purpose asserted itself as
against mere blind acquiescence. Iglesias looked up, demanding as of
right some measure of consolation, some object promising help. So
doing, his eyes sought a certain carven oak panel set in an ebony
frame. From his earliest childhood he remembered it, for it had hung in
his mother's bedchamber; and in those far-away years, while she still
had sufficient force to disregard opposition and make an open practice
of prayer, she had kneeled before it when engaged in her devotions.
Waking at night--when as a baby-child, during his father's long
absences, he slept in her room--Dominic had often seen the delicate
kneeling figure, wrapped in some loose-flowing garment, the hands
outstretched in supplication. Even then, in the first push of conscious
intelligence, the carven picture had spoken to him as something
masterful, for all its rigidity and sadness, and very strong to help.
It had given him a sense of protection and security, so that his little
soul was satisfied; and he could go to sleep again in peace, sure that
his mother was in safe keeping while--as he said--she "talked to it."
In the long interval which had elapsed since then he had lost touch
with the spirit of it, though preserving it as among the most cherished
of his family relics. His appreciation of it had become aesthetic
rather than religious. But now, as it hung on the dimly white wall
above his writing-table on the window side of the fireplace, the dreary
London afternoon light took the surface of it, bringing all the details
of the scene into prominence. Suddenly, unexpectedly, the old power
declared itself. The picture came alive as to the intention and meaning
of it. It spoke to him once again, and that with no uncertain voice.
Three tall narrow crosses uplifted against a cloudless sky. Below, a
multitude of men, women, and horses, carved in varying degrees of
relief. Some starting into bold definiteness, some barely indicated and
as though imprisoned in the thickness of the wood; but all grave,
energetic, and, whether inspired by compassion or by mockery, fierce.
These grouped around a great web of linen--upheld by some of them at
the four corners, hammock-wise, high at the head, low at the
foot--wherein lay the corpse of a man in the very flower of his age, of
heroic proportions, spare yet muscular, long and finely angular of
limb, the articulations notably slender, the head borne proudly though
bent, the features severely beautiful, the whole virile, indomitable
even in the physical abjection of death.
Public-domain text, read in full here on John Shaqi.
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