"Well, there's no ambiguity about this affair, anyhow," she said
grimly. "Of course it had to come sooner or later, and I knew it had to
come. Well, here it is, that's all, and there's no use whining. And
that's why he's been so jumpy lately: he had a bad conscience. Poor old
chap, he must have been having a beastly bad time of it."
Poppy mused a little.
"Still, it's a facer," she added, "and a precious nasty one, too."
She stretched herself, shaking back her head, while the diamond points
of her aigrette danced and glittered. Took a deep breath, filling her
lungs; listened to herself, so to speak, noting with satisfaction that
neither heart nor pulse fluttered.
"No serious damage," she commented. "I must have the nerves of a
locomotive. Here I am perfectly sound, perfectly sober, standing at the
parting of the ways, between the dear old devil of love and the deep
sea of friendship. Poppy Smyth, my good soul, you've always been rather
fatally addicted to drama. Are you satisfied at last? For just now,
heaven knows, you've jolly well got your fill of it."
Then, for a space, she sat staring out into the house, thinking hard,
intently, yet without words. The future, as she knew, hung in the
balance, for herself and for others; but, as yet, she could not decide
into which scale to throw the determining weight. Presently she looked
steadily at Dominic Iglesias. He was again engaged in conversation,
trying, with his air of fine old-world courtesy, suitably to entertain
his strangely assorted neighbours. Poppy had an idea he found it rather
hard work. She was not in the least sorry. That faded piece of feminine
elegance, in fluffy black, bored her. She entertained a malicious hope
that the said piece of feminine elegance bored Mr. Iglesias also.
Finally, with rather bitter courage, she turned her eyes once more upon
Lord Fallowfeild and his companions.
"Poor little girl, poor little girl," she said, quite gently, "so
that's your heaven on earth, is it? I'm afraid a mighty big crop of
wild oats is on show in your Garden of Eden. Still to you, apparently,
it is a blissful place enough. Only the question is, do I intend to
relinquish my rights in that particular property and make it over to
you in fee simple, my pretty baby, or do I not? Shall I give it you, or
shall I keep it? For it is mine to give or to keep still--very much
mine, if I choose to make a fight for it, I fancy."
Yet even as she communed thus with herself, the white-clad maiden and
the other occupants of the box became indistinct and shadowy. The buzz
of conversation in the theatre had ceased; so had the strains of the
orchestra. The lights had been turned low and the curtain had risen
upon the second act.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account