"Do not weep over the fallen basin, very dear one," he said. "Rather
sing aloud Te Deum in praise of the glorious goddess of Social
Revolution who has delivered the enemy of the people into our hands.
This is no affair of cat and bird, but of the capitalist and the
proletariat on which he battens. So for a little space let the unholy
creature lie there writhing. Let it understand what it is to have a
back broken by the weight of an impossible burden. Let it try vainly to
drag its limbs from beneath an immovable load. Observe it, let it
suffer. Very soon we will finish with it, and explode the iniquitous
system it represents. See, in the name of humanity, of labour, of the
unknown and unnumbered millions of the martyred poor, I set a match to
this good little fuse, and, with the rapidity of thought, blow
blasphemous tyrant Capital into a thousand fragments of reeking flesh
and splintered bone!"
But to the little boy, words and spectacle alike had become unendurably
painful.
"No, no, Pascal, you cannot cure everything that way. It is not just,"
he cried. And running forward with all his strength he lifted the stone
basin off the wounded creature--cat, man, beast of prey, modern
financier, be it what it might. He stopped to gather it up in his arms,
and, repulsive though it was, to comfort and protect it. But just then
came a thunderous rattle and crash knocking him senseless.
Mr. Iglesias sat bolt upright in his chair, uncertain of his identity
and surroundings, shaken and bewildered.
Upstairs, de Courcy Smyth--spent and stupefied by the writing of a
would-be smart critique on the first-night performance of a screaming
farce, for one of to-morrow's evening papers--had stumbled, upsetting
the fire-irons, as he slouched across his room to bed. Iglesias heard
the creak of the wire-wove mattress as the man flung himself down; and
that familiar sound restored his sense of actualities. Yet all his mood
was changed and softened. The return to childhood had made a strange
impression upon him, filling him with a great nostalgia for things
apparently lost, but exquisite; and which, having once been, might,
though he knew not by what conceivable alchemy of time or chance, once
again be. Meanwhile, he must have slept long, for the wind had grown
chill. The voice of London, the monstrous mother, had grown weak and
intermittent. And the earthly light, pulsing along the horizon, had
grown faint, humbled and chastened by the whiteness of approaching dawn.
CHAPTER IV
Public-domain text, read in full here on John Shaqi.
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