And then, somehow, his thoughts turned to that other human creature who, though in a very different fashion to de Courcy Smyth the unsavoury, had claimed his help. He thought not of her over-red lips, but of her wise eyes; not of her irrepressible effervescence and patter, but of her serious moments and of the honesty and courage which at such moments appeared to animate her. About a fortnight ago he had called at the little flower-bedecked house on the confines of Barnes Common, but had obtained no response to his ringing. He supposed she was engaged, or possibly away. With a certain proud modesty he had abstained from renewing his visit. But now, listening to the roar of London and the complaint of the cedar tree, he turned to the thought of her as to something of promise, of possible comfort, of equal friendship, in which there should be not only help given, but help received. CHAPTER XIII Dominic Iglesias stood on Hammersmith Bridge looking upstream. The temperature was low for the time of year, the sky packed with heavy-bosomed indigo-grey clouds in the south and west, whence came a gusty wind chill with impending rain. The light was diffused and cold, all objects having a certain bareness of effect, deficient in shadow. The weather had broken in the storm of the preceding night; and, though it was but early September, summer was gone, autumn and the melancholy of it already present--witness the elms in Chiswick Mall splotched with raw umber and faded yellow. The tide had still about an hour to flow. The river was dull and leaden, save where, near Chiswick Eyot, the wind meeting the tide lashed the surface of it into mimic waves, the crests of which, flung upward, showed against the gloomy stretch of water beyond, like pale hands raised heavenward in despairing protest. Steam-tugs, taking advantage of the tide, laboured up-stream in the teeth of the wind, towing processions of dark floats and barges. Long banners of smoke, ragged and fleeting, swept wildly away from the mouths of the tall chimneys of Thorneycroft's Works, which rose black into the low, wet sky. The roadway of the huge suspension bridge quivered under the grind of the ceaseless traffic, while the wind cried in the massive pea-green painted iron-gearing above. There was a sense of hardly restrained tumult, of conflict between nature and the multiple machinery of modern civilisation, the two in opposition, alike victims of an angry mood. And Iglesias stood watching that conflict among the crowd of children, and loafers, and decrepit, who to-day--as every day--thronged the foot-way of the bridge.