Dumb to the dancing and the marching feet; you know, in dreams,
you see
Old pipers playing that you cannot hear,
And ghostly drums that only seem to beat. This seems to climb:
Is it the music of a larger place? It makes our room too small:
it is like a stair,
A calling stair that climbs up to a smile you scarcely see,
Dim, but so waited for; and _you_ know what a smile is,
how it calls,
How if I smiled you always ran to me.
Now you must sleep forgetfully, as children do.
There is a Spirit sits by us in sleep
Nearer than those who walk with us in the bright day.
I think he has a tranquil, saving face: I think he came
Straight from the hills: he may have suffered there in time
gone by,
And once, from those forsaken heights, looked down,
Lonely himself, on all the lonely sorrows of the earth.
It is his kingdom--Sleep. If I could leave you there--
If, without waking you, I could get up and reach the door--!
We used to go together.--Shut, scared eyes,
Poor, desolate, desperate hands, it is not I
Who thrust you off. No, take your hands away--
I cannot strike your lonely hands. Yes, I have struck your heart,
It did not come so near. Then lie you there
Dear and wild heart behind this quivering snow
With two red stains on it: and I will strike and tear
Mine out, and scatter it to yours. Oh! throbbing dust,
You that were life, our little wind-blown hearts!
The road! the road!
There is a shadow there: I see my soul,
I hear my soul, singing among the trees!
MADELEINE IN CHURCH
Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;
For, once, perhaps my little saint
Before he got his niche and crown,
Had one short stroll about the town;
It brings him closer, just that taint
And anyone can wash the paint
Off our poor faces, his and mine!
Public-domain text, read in full here on John Shaqi.
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