One grim consolation he had--and that was the conviction that he had not won, and never could have won, Elisabeth's love; and that, therefore, poverty or riches were matters of no moment to him. Had he felt that temporal circumstances were the only bar between him and happiness, his position as her paid manager would have been unendurable; but now she had taught him that it was he himself, and not any difference in their respective social positions, which really stood between herself and him; and, that being so, nothing else had any power to hurt him. Wealth, unshared by Elisabeth, would have been no better than want, he said to himself; success, uncrowned by her, would have been equivalent to failure. When Christopher was in Australia he succeeded in tracing George Farringdon as far as Broken Hill, and there he found poor George's grave. He learned that George had left a widow and one son, who had left the place immediately after George's death; but no one could give him any further information as to what had subsequently become of these two. And he was obliged at last to abandon the search and return to England, without discovering what had happened to the widow and child. Some years after his nephew's fruitless journey to Australia Richard Smallwood died; and though the old man had been nothing but a burden during the last few years of his life, Christopher missed him sorely when he was gone. It was something even to have a childish old man to love him, and smile at his coming; now there was nobody belonging to him, and he was utterly alone. But the years which had proved so dark to Christopher had been full of brightness and interest to Elisabeth. She had fulfilled her intention of studying at the Slade School, and she had succeeded in her work beyond her wildest expectations. She was already recognised as an artist of no mean order. Now and then she came down to the Willows, bringing Grace Cobham with her; and the young women filled the house with company. Now and then they two went abroad together, and satisfied their souls with the beauty of the art of other lands. But principally they lived in London, for the passion to be near the centre of things had come upon Elisabeth; and when once that comes upon any one, London is the place in which to live. People wondered that Elisabeth did not marry, and blamed her behind her back for not making suitable hay while it was as yet summer with her. But the artist-woman never marries for the sake of being married--or rather for the sake of not being unmarried--as so many of her more ordinary sisters do; her art supplies her with that necessary interest in life, without which most women become either invalids or shrews, and--unless she happens to meet the right man--she can manage very well without him.