The Fascinating Stranger, and Other StoriesTarkington, Booth
General
The Fascinating Stranger, and Other Stories
Tarkington, Booth
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
It was the truth. And after a rather hurried walk, during which the boy
spoke not once unless spoken to, but trotted contentedly at Lucius’s
side, confidingly hand-in-hand with him, when they came in sight of the
small brick house in the big yard, where Lucius lived, a tiny white
figure was discernible through the dusk, rocking patiently in a wicker
rocking-chair on the veranda.
At sight of them she jumped up and came running to the gate to meet
them. But there she paused, gravely.
She made a curtsey, formal but charming.
“How do do, Uncka Wucius?” she said. “Mamma would wike her paraso’.”
Saruly, looming dark and large behind her, supplemented this
information: “Miz Ricketts done lef’ the little girl here to wait fer
you, Mist’ Allen. She tell me ask you please be so kine as to bring the
chillun along home with you, an’ her parasol with ’em. She tell _me_ the
chillun been a little upset, jest at first, ’count o’ movin’ to a new
place, but they all quieted down now, an’ she think it’ll be safe fer
you to stay to dinnuh. An’ as ev’ything in my kitchen’s plum done to a
crisp ’count o’ you bein’ so late, Mist’ Allen, if you leave it to me I
think you bettuh.”
“I’ll leave it to you, Saruly,” said Lucius, gently. “I think I’d
better.”
And then, with the parasol under his arm, and the hand of a child
resting quietly in each of his, he turned with Bill and Maud, and, under
the small, bright stars of the May evening, set forth from his own gate
on his way to Lucy’s.
“YOU”
MURIEL ELIOT’S friends and contemporaries were in the habit of
describing her as “the most brilliant girl in town.” She was “up on
simply everything,” they said, and it was customary to add the
exclamation: “How on earth she finds the _time_!” And since Muriel also
found time to be always charmingly dressed, in harmony with her notable
comeliness, the marvel of so much upness in her infant twenties may
indeed need a little explaining.
Her own conception was that she was a “serious” person and cared for
“serious reading”—that is to say, after she left college, she read, not
what is acceptably called literature, but young journalists’ musings
about what aspires to be called that; she was not at all interested in
buildings or pictures or statues themselves, but thought she was, read a
little of what is printed about such things in reviews, and spoke of
“art” and “literature” with authoritative conviction. She was a
kind-hearted girl, and she believed that “capitalism” was the cunning
device of greedy men to keep worthy persons under heel; hence it
followed that all “capital” should be taken away from the “capitalist
class” by the “people;” and, not picturing herself as in any way
uncomfortably affected by the process of seizure, she called herself a
“socialist.”
Public-domain text, read in full here on John Shaqi.
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