The Fascinating Stranger, and Other StoriesTarkington, Booth
General
The Fascinating Stranger, and Other Stories
Tarkington, Booth
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
“Well, the thing that bothers _me_ is simply this,” Robert informed her:
“He told mamma he’d have to bring his little boy along and let him play
around here as long as the work went on. He said he has to take this boy
along with him, because his wife’s a dentist’s ’sistant and can’t keep
him around a dentist office, and they haven’t got any place to leave
him. He’s about nine years old, and I’ll bet anything I have trouble
with him before the day’s over.”
“Do you mean the—the painter is married, Robert?”
“Yes, and got this boy,” Robert said, shaking his head. “I bet I _do_
have trouble with him, if he’s got to be around here until they get
three coats o’ paint on our house. Mamma thought they only needed two,
but papa said three, and the painter talked mamma into it this morning.”
“The house?” Muriel said. “We’re going to have the—the house painted?”
Robert was rather surprised. “Why, don’t you remember how much papa and
mamma were talkin’ about it, two or three weeks ago? And then they
thought not and didn’t say so much about it, but for a while papa was
goin’ to have every painter in town come up here and make a bid. Don’t
you remember?”
“I do now,” Muriel said feebly; and a moment later she glanced toward
the bright windows of the house across the street. “Robert,” she said,
“if you’ve finished those horrible peanuts, you might run and ask Mr.
Renfrew Mears if he’d mind coming over a little while.”
She had been deeply stirred by the subject that had occupied her all
day, and it was a spiritual necessity for her (so to say) to continue
upon the topic with somebody—even with Renfrew Mears! However, she
rejected him again, though with a much greater consideration for his
feelings than was customary; and when he departed, she called after him:
“Look out for your clothes when you come over to-morrow. We’re going to
have the house painted.”
Then, smiling contentedly, she went indoors and up to her room. The
great vase of hydrangeas stood upon a table; she looked at it absently,
and was reminded of something. She took some sheets of written paper
from a notebook in her desk, tossed them into a waste-basket, yawned,
and went to bed.
“US”
“HIGHLAND PLACE” was one of those new little cross-streets in a new
little bosky neighbourhood, that had “grown up over night,” as we say,
meaning grown up in four or five years; so that when citizens of the
older and more solid and soiled central parts of the city come driving
through the new part, of a Sunday afternoon in spring, they are pleased
to be surprised. “My goodness!” they exclaim. “When did all _this_
happen? Why, it doesn’t seem more’n a year or so since we used to have
Fourth o’ July picnics out here! And now just look at it—all built up
with bride-and-groom houses!”
Public-domain text, read in full here on John Shaqi.
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