The Fascinating Stranger, and Other StoriesTarkington, Booth
General
The Fascinating Stranger, and Other Stories
Tarkington, Booth
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
Fingers tapped on his door. “Do hurry, Charles dear,” Mrs. Troup said.
“Jeannette’s arguing with the musicians, but she might have a moment or
two to see you now. People are just beginning to come.”
“With whom?” he asked hoarsely, not attempting to move.
“‘With whom’ what? I don’t understand,” his sister inquired, shouting
through the closed door.
“You said she’s arguing. With whom?”
“With the musicians.”
“With whom?”
“The musicians. They began to play ‘The Maiden’s Dream,’ but she doesn’t
like it: she wants something livelier.”
“Livelier?”
“I must run,” Mrs. Troup shouted. “Do hurry, Charles.”
In spite of this departing urgency, Charles remained inert for some
time, his cheek upon a rug, his upper eye contemplating the baseboard of
the wall, and his right foot shackled in his trousers. Meanwhile, voices
began to rise without in an increasing strident babble, until finally
they roused him. He rose, completed his toilet and stepped outside his
door.
He found himself upon a gallery which looked down upon a broad hall
floored in wood now darkly lustrous with wax. He had a confused
impression of strewn and drifting great tropical flowers in haphazard
clusters and flaring again, in their unfamiliar colours, from the
reflecting darkness of the polished floor; such dresses as he had never
seen; and flesh-tints, too, of ivory and rose so emphasized and in such
profusion as likewise he had never seen. And from these clusters and
from the short-coated men among them, the shouting voices rose to him in
such uproarious garbling chorus that though he had heard choruses not
very different, long ago, it increased his timidity; and a little
longing floated into his emotion—a homesickness for the old asylum,
where everything had been so orderly and reasonable.
Suddenly he jumped: his hands were clutched upon the railing of the
gallery, and they remained there; but his feet leaped inches into the
air with the shock; for the crash that so startled him came from
directly beneath the part of the gallery where he stood. In his
nervousness, he seemed about to vault over the railing, but as his feet
descended, he recognized the sound: it was of a nature similar to that
which had overcome him in his room, and was produced by those whom his
sister had defined as “the musicians:” they had just launched the dance
music. The clusters of tropical flowers were agitated, broke up. The
short black coats seized upon them, and they seized upon the short black
coats; something indescribable began.
Public-domain text, read in full here on John Shaqi.
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