The Fascinating Stranger, and Other StoriesTarkington, Booth
General
The Fascinating Stranger, and Other Stories
Tarkington, Booth
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
The dance music did not throb—the nervous gentleman in the gallery
remembered dance music that throbbed, dance music that tinkled merrily,
dance music that swam, dance music that sang, and sometimes sang sadly
and perhaps too sweetly of romantic love—but this was incredible: it
beat upon his brain with bludgeons and blackjacks, rose in hideous
upheavals of sound, fell into chaos, squawked in convulsions, seemed
about to die, so that eighty pairs of shoes and slippers were heard in
husky whispers against the waxed floor; then this music leaped to life
again more ferociously than ever.
The thumping and howling of it brought to the gallery listener a dim
recollection: once, in his boyhood, he had been taken through a
slaughter-house; and this was what came back to him now. Pigs have
imaginations, and as they are forced, crowding against one another,
through the chute, their feet pounding the thunderous floor, the
terrible steams they smell warn them of the murderers’ wet knives ahead:
the pigs scream horror with their utmost lungs; and the dumfounded
gentleman recalled these mortal squealings now, though there was more to
this music. There should be added, among other noises, all the agony
three poisoned cats can feel in their entrails, the belabourings of
hollow-log tomtoms by Aruwimi witch-doctors, and incessant cries of
passion from the depths of negroes ecstasized with toddy.
A plump hand touched Mr. Blake’s shoulder, and lifting his pale glance
from below he found that his sister had ascended the gallery stairs to
speak to him.
“What are they doing down there?” he shouted.
“Toddling.”
“You mean _dancing_?”
“Yes; toddling. It’s dancing—great fun, too!”
He was still incredulous, and turned to look again. To his perturbed
mind everybody seemed bent upon the imitation of an old coloured woman
he had once seen swaying on the banks of a creek, at a baptism. She
jiggled the upper portions of her, he remembered, as if she were at once
afflicted and uplifted by her emotions; and at the same time she
shuffled slowly about, her very wide-apart feet keeping well to the
ground. All of these couples appeared to have studied some such ancient
religious and coloured person anxiously; but this was not all that
interested the returned Mr. Blake. Partners in the performance below him
clung to each other with a devotion he had never seen except once or
twice, and then under chance circumstances which had cost him a hurried
apology. Some, indeed, had set their cheeks together for better harmony;
moreover, the performers, who in this exhibition of comedy abandoned
forever all hope of ever being taken seriously by any spectator, were by
no means all of the youthfulness with which any such recklessness of
dignity had heretofore been associated in Mr. Blake’s mind: heads white
as clouds moved here and there among the toddlers; so did dyed heads,
and so did portly figures.
Public-domain text, read in full here on John Shaqi.
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