Great Britain -- Social conditions -- 19th century
The Greeks and Romans were thought to have gone too far, when they called
all nations but their own _barbarians_; but people of Fashion go a step
farther: for they consider themselves _every body_, and the rest of the
world _nobody_. The influence of this sentiment is sufficiently
discernible over the whole of their character. It dictates to their
affections, and robs them, in many instances, of their spontaneity, their
sweetness, and their force. It results from this conceit, that their
love is often artificial, their friendship ceremonious, and their charity
ungracious. In a word, the whole of their demeanour is such as might be
expected from a people, who idolize the most frivolous or the most
vicious propensities of human nature; and estimate as _nothing_, the
talents, and industry, and virtue, which adorn it.
Their _Language_ would afford great scope for discussion; but the limits
which I have prescribed to my work, will not allow me to embrace it. I
shall, however, throw together such remarks as may enable the reader to
form some judgment of it; and refer him, for more extended information
upon it, to those modish compositions in which it is conveyed, and to the
circles in which it is spoken.
Their _language_, then, is generally a dialect of the people among whom
they reside. They do, it is true, intersperse their conversational
dialogue with scraps of French and Italian; they also construct their
complimentary phrases with singular dexterity; they have, besides,
certain epithets; such as _dashing_, _stylish_, &c. which may be
considered as perfectly their own:—but if these be excepted, the rest of
their language is, to the best of my judgment, wholly vernacular.
It must not, however, be supposed, that because these people use the
terms of the country in which they live, they therefore use them in their
ordinary and received acceptation. Nothing can be farther from the fact.
I verily believe, that if the whole nomenclature of Fashion were examined
from beginning to end, scarcely twenty words would be found, which in
passing over to the regions of Fashion, have not left their native and
customary sense behind them.
In support of this observation I shall cite, for the reader’s
satisfaction, a brief extract from a private memorandum, which I had
originally made with a design of constructing a Fashionable glossary.
Public-domain text, read in full here on John Shaqi.
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