They may come down now. He makes no more motions, utters no cry to keep
them in the air affrighted. He hangs still, silent, apparently dead.
Even the scream of a young girl rushing out from the underwood does not
stir him, nor yet the shout of an old man sent forth under like
excitement.
Not any more when they are close to the spot with arms almost touching
him--arms upraised and voices loud in lamentation.
"It is Pierre! Oh, father, they have hanged him! Dead--he is dead!"
"Hush gurl! Maybe not," cries the old man, taking hold of the loose
limbs and easing the strain of the rope. "Quick! come under here, catch
hold as you see me, an' bear up wi' all your strength. I must git my
knife out and spring up'ard to git at the durned rope. Thet's it.
Steady, now."
The young girl has glided forward, and, as directed, taken hold of the
hanging limbs. It is a terrible task--a trying, terrible task even for
a backwoods maiden. But she is equal to it; and bending to it with all
her strength, she holds up what she believes to be the dead body of her
playmate and companion. Her young heart is almost bursting with agony
as she feels that in the limbs embraced there is no motion--not even a
tremor.
"Hold on hard," urges her father. "Thet's a stout gurl. I won't be a
minnit."
While giving this admonition, he is hurrying to get hold of his knife.
It is out, and with a spring upward, as if youth had returned to his
sinews, the old hunter succeeds in reaching the rope. It is severed
with a "snig!" and the body, bearing the girl along with it, drops to
the ground.
The noose is instantly slackened and switched off; the old hunter with
both hands embraces the throat, pressing the windpipe back into it;
then, placing his ear close to the chest, listens.
With eyes set in agonised suspense, and ears also; Lena listens, too, to
hear what her father may say.
"Oh! father, do you think he is dead? Tell me he still lives."
"Not much sign o' it. Heigh! I thort I seed a tremble. You run to the
shanty. Thar's some corn whisky in the cubberd. It's in the stone
bottle. Bring it hyar. Go, gurl, an' run as fast as your legs kin
carry ye!"
The girl springs to her feet, and is about starting off.
"Stay, stay! It won't do to let Dick know; this'll drive _him_ mad.
Durn me, if I know what ter do. Arter all he may as well be told on't.
He must find it out, sooner or later. That must be, an' dog-gone it
'twon't do to lose time. Ye may go. No, stay! No, go--go! an' fetch
the bottle; ye needn't tell him what it's for. But he'll know thars
suthin' wrong. He'll be sure to know. He'll come back along wi' ye.
That's equilly sartin. Well, let him. Maybe thet's the best. Yes,
fetch him back wi' ye. Thar's no danger o' them chaps--showin' here
arter this, I reck'n. Hurry him along but don't forget the bottle.
Now, gurl, quick as lightnin', quick!"
Public-domain text, read in full here on John Shaqi.
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