110, after _beleeue_--G. & S. insert _it_.
111 _you are--you’re_ C., M.
116 _Sent_--i. e. _Scent_; so all later editors.
123 _ha’--have_ (G., S.
125 _I am--I’m_ (C., M.
131 and 132 _Farewell ... you._--printed as one line in Q.
133 _louing--living_ (G., S.
137 _d’ee--d’ye_ (C., f.
138 _D’ee--D’ye_ (C., M.--_Do you_ (G., S.
139 In Q., _For_ is last word of line 138.
139 _ya’re--you’re_ (G., S.
145 _of--o’_ (C., f.
147 _arme--aim_ (M., f.
150, end--G. & S. insert s. d.: _Going._
158 _’em--them_ (G., S.
161 _And doore’s--And your door’s_ (G., S.
162-164 --printed as two lines in Q.: _But ... do_ | _Beseach ...
circumstance._
163 --this line is omitted in M.
168 _Tell you why sir--Tell you? why sir?_ (C., M.--_Tell you! why,
sir._ G., S.
171. s. d. _dag.--dagger_ (C., M.
174 _I am--I’m_ (C., M.
178 _wrongs--wooing_ (M., f. Perhaps the Ms. reading was _wooings_.
180 and 181 _But ... assurance?_--printed as one line in Q.
188, after _see_ ,--omitted by G. & S.
189, end G. & S. insert s. d.: _Reading_.
194, after _So_--, (C., M.--_!_ (G., S.
198 _blabbers, ruine--blabber’s ruin_ (M., f. The emendation is
plausible, but not absolutely required.
202, s. d. _Exit_--C., f. place at end of line 200, its obviously
correct position, as would undoubtedly Q., but for insufficient margin
in the page at this point.
203 G. & S. give s. d.: _Enter_ Bellapert, _hastily_.
204 _Coach--caroch_ (G., S.
205 _D’ee--D’ye_ (C., M.--_Do you_ (G., S.
211 _loue--Jove_ (C., f.
[Act IV, Scene ii]
6 _on_--omitted by C., M.
9 , following _something_ transferred to follow _else_ by C., f.
31 _of it--of’t_ (G., S.
32 and 33 _He ... him._--printed as one line in Q.
33, s. d.--G. & S. read: _Enter_ Aymer, _speaking to one within_.
45, after _ayre._--G. & S. insert s. d.: _To the_ Musicians _within_.
48 _consent--content_ (C., f--a correct emendation.
48 _Y’are--You are_ (G., S.
48, end--G. & S. insert s. d.: _To the_ Musicians.
Before 49 --S. inserts s. d.: _Aside._
After 50, s. d.: _Song_--i. e. the _Cittizens Song of the Courtier_, on
page 146.--introduced here in text by Cunningham and S.
52, end--C. & M. punctuate with--; G. & S. with ..
54, after _thanks_--G. & S. insert s. d.: _Aside._
58, end--G. & S. insert s. d.: _Aside._
62 _Pray sing--Pray you sing_ (G.
s. d. after 62, _Song below--Song by Aymer_ (G., S.; it is the
_Courtiers Song of the Citizen_, page 146.--introduced here in text by
Cunningham and S.
63 and 64 _Doe ... doubtfull?_--printed as one line in Q.
66 _they are--they’re_ (C., f.
67, s. d.--_Enter Nouall Iu. Charaloys_,--_Enter_ Charalois, _with his
sword drawn, pursuing_ Novall _junior_, etc. (G., S.
68 _Vndone foreuer--Undone, undone, forever!_ (G.--C. & M. give this
speech to _Bellapert_.
74 _th’--the_ (G., S.
82 M., f. omit _,_’s after _honest_ and _valiant_.
86 _daring looke--daring._ _Look_ (C., f.
89 and 90 _No ... flesh_--printed as one line in Q.
93 _of_--its _f_ is almost invisible in Q.
Public-domain text, read in full here on John Shaqi.
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