--to the very end, it abounds with Massingerisms: _Knowing judgment_;
_Speak to the cause_; _I foresaw this_ (an especial favorite of the
poet’s); _Strange boldness!_; the construction, _If that curses_,
etc;--also cf. l. 117 ff. with
_To undervalue him whose least fam’d service
Scornes to be put in ballance with the best
Of all your Counsailes._
(_Sir John van Olden B._, Bullen’s _Old Plays_, II, 232.)
We have seen that the hand of Field has been asserted to appear in the
last half of this Scene. This is probably due to the presence here of
several rhymed couplets, which are uncommon in Massinger save as tags
at the end of Scenes or of impressive speeches, but not absolutely
unknown in his work; whereas Field employs them frequently--in
particular to set off a gnomic utterance. If Field’s indeed, they
can scarcely represent more than his revising touch here and there;
everything else in this part of the Scene bespeaks Massinger no less
clearly than does the portion which preceeds it. There continues the
same stately declamation, punctuated at intervals by brief comments
or replies, the same periodic sentence-structure, the same or even
greater frequency of characteristic diction. Massinger again and again
refers in his plays to the successive hardships of the summer’s heat
and winter’s frost (l. 184--cf. C-G. 168 b, 205 a, 392 b, 488 b);
_stand bound_ occurs literally scores of times upon his pages (three
times on C-G. 77 a alone);--typical also are _in their dreadful ruins
buried quick_ (l. 178--cf. C-G. 603 a, 625 a, _Sir John van Olden B._,
Bullin’s _Old Plays_, II, 209), _Be constant in it_ (l. 196--cf. C-G.
2 a, 137 a, 237 a, 329 a), _Strange rashness!_, _It is my wonder_
(l. 293--cf. C-G. 26 b, 195 b; D. VIII, 438; XI, 34). Cf. also l. 156,
_To quit the burthen of a hopeless life,_
with C-G. 615 b,
_To ease the burthen of a wretched life._
And ll. 284-6,
_But would you had
Made trial of my love in anything
But this,_
with C-G. 286 a,
_I could wish you had
Made trial of my love some other way._
And again, ll. 301-3,
_and his goodness
Rising above his fortune, seems to me,
Princelike, to will, not ask, a courtesy._
with D. XI. 37,
_in his face appears
A kind of majesty which should command,
Not sue for favour._
and the general likeness of l. 258 ff. with C-G. 44 b-45 a, as above
noted. Nor do the verse tests reveal any break in the continuity of
the Scene; the figures for the first part are: double endings, 45 per
cent.; run-on lines, 33 per cent.--for the second part: double endings,
36 per cent.; run-on lines, 36 per cent.
Public-domain text, read in full here on John Shaqi.
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