The Fatal Falsehood: A Tragedy. In Five ActsMore, Hannah
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The Fatal Falsehood: A Tragedy. In Five Acts
More, Hannah
English drama (Tragedy); Verse Drama, English -- Early Works to 1800
_Or._ Hope you for joy?
_Jul._ Have I not cause? Am I not lov'd by Rivers?
Rivers, the best, the bravest of his sex!
Whose valour fabled heroes ne'er surpass'd,
Whose virtues teach the young and charm the old;
Whose graces are the wonder of our sex,
And envy of his own!
_Or._ Enough! enough!
O spare this prodigality of praise.
But, Julia, if you would not here behold me
Stretch'd at your feet a lifeless bloody corpse,
Promise what I shall now request.
_Jul._ What is it?
_Or._ That till to-morrow's sun, I ask no longer,
You will defer this marriage.
_Jul._ Ah! defer it?
Impossible; what would my Rivers think?
_Or._ No matter what; 'tis for his sake I ask it:
His peace, his happiness, perhaps his life
Depends on what I ask.
_Jul._ His life? the life of Rivers?
Some dreadful thought seems lab'ring in your breast;
Explain this horrid mystery.
_Or._ I dare not.
If you comply, before to-morrow's dawn
All will be well, the danger past; then finish
These--happy nuptials; but if you refuse,
Tremble for him you love; the altar's self
Will be no safeguard from a madman's rage.
_Jul._ What rage? what madman? what remorseless villain?
Orlando--will not you protect your friend?
Think how he loves you--he would die for you--
Then save him, on my knees, I beg you save him-- [_Kneels._
Oh! guard my Rivers from this bloody foe.
_Or._ Dearer than life I love him--ask no more,
But promise, in the awful face of Heaven,
To do what I request--and promise, further,
Not to disclose the cause.
_Jul._ Oh, save him! save him!
_Or._ 'Tis to preserve him that I ask it: promise,
Or see me fall before you.
[_He draws the dagger, she still kneeling._
_Jul._ I do promise.
Hide, hide that deadly weapon--I do promise. [_Rises._
How wild you look! you tremble more than I.
I'll call my Rivers hither.
_Or._ Not for worlds.
If you have mercy in your nature, Julia,
Retire. Oh, leave me quickly to myself;
Do not expose me to the strong temptation
Which now assaults me.--Yet you are not gone.
_Jul._ Be more compos'd; I leave you with regret.
(_As she goes out._) His noble mind is shaken from its seat!
What may these transports mean? Heav'n guard my Rivers!
(_As_ JULIA _goes out, enter_ BERTRAND; _he speaks behind_.)
_Ber._ Why, this is well; this has a face; she weeps,
He seems disordered.--Now to learn the cause,
And then make use of what I hear by chance,
As of a thing I knew. [_He listens._
_Or._ (_after a pause._) And is she gone?
Her parting words shot fire into my soul;
Did she not say she left me with regret?
Her look was tender, and the starting tear
Fill'd her bright eye; she left me with regret--
She own'd it too.
Public-domain text, read in full here on John Shaqi.
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