The Fatal Falsehood: A Tragedy. In Five ActsMore, Hannah
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The Fatal Falsehood: A Tragedy. In Five Acts
More, Hannah
English drama (Tragedy); Verse Drama, English -- Early Works to 1800
_Or._ What! is it such a crime to love? away----
Thy moral comes too late; thou shouldst have urg'd
Thy scruple sooner, or not urg'd at all:
Thou shouldst--alas! I know not what I say--
But this I know, the charming Julia loves me,
Appoints a meeting at the dead of night!
She loves! The rest is all beneath my care.
_Ber._ Be circumspect; the hour is just at hand;
Since all is ready for your purpos'd parting,
See your attendants be dispos'd aright,
Near the pavilion gate.
_Or._ Why so?
_Ber._ 'Tis plain
Julia must be the partner of your flight:
'Tis what she means, you must not mind her struggles;
A little gentle violence perhaps,
To make her yield to what she had resolv'd,
And save her pride; she'll thank you for it after.
_Or._ Take her by force? I like not that: O Bertrand,
There is a mutinous spirit in my blood,
That wars against my conscience.--Tell my Julia
I will not fail to meet her.
_Ber._ I obey.
Be near the garden: I shall soon return.
[_Exit_ BERTRAND.
_Or._ This giant sin, whose bulk so lately scar'd me,
Shrinks to a common size; I now embrace
What I but lately fear'd to look upon.
Why, what a progress have I made in guilt!
Where is the hideous form it lately wore?
It grows familiar to me; I can think,
Contrive, and calmly meditate on mischief;
Talk temp'rately of sin, and cherish crimes
I lately so abhorr'd, that had they once
But glanc'd upon the surface of my fancy,
I had been terrified. Oh, wayward conscience!
Too tender for repose, to sear'd for penitence!
[_Exit_ ORLANDO.
_Scene changes to another part of the garden--A grand
pavilion--The moon shining._
_Enter_ RIVERS _in a melancholy attitude_.
_Riv._ Ye lovely scenes of long remember'd bliss!
Scenes which I hop'd were fated to bestow
Still dearer blessings in a beauteous bride!
Thou gay pavilion, which art dress'd so fair
To witness my espousals, why, ah! why
Art thou adorn'd in vain? Yet still I haunt thee,
For Julia lov'd thee once:--dear faithless Julia!
Yet is she false? Orlando swore she was not:
It may be so; yet she avoids my presence,
Keeps close from every eye, but most from mine.
_Enter_ ORLANDO.
_Or._ Ha! Rivers here! would I had shunn'd his walks!
How shall I meet the man I mean to wrong?
_Riv._ Why does Orlando thus expose his health
To this cold air?
_Or._ I ask the same of Rivers?
_Riv._ Because this solitude, this silent hour,
Feeds melancholy thoughts, and soothes my soul.
My Julia will not see me.
_Or._ How?
_Riv._ She denies me
Admittance to her presence.
_Or._ (_aside._) Then I'm lost,
Confirm'd a villain; now 'tis plain she loves me.
_Riv._ She will not pardon me one single fault
Of jealous love, though thou hadst clear'd up all.
Public-domain text, read in full here on John Shaqi.
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