The Faust-Legend and Goethe's 'Faust'Cotterill, H. B. (Henry Bernard)
General
The Faust-Legend and Goethe's 'Faust'
Cotterill, H. B. (Henry Bernard)
Faust, -approximately 1540 -- Legends; Goethe, Johann Wolfgang von, 1749-1832. Faust
This Simon, the Magus or Sorcerer, who bewitched the people of Samaria,
and was looked upon as 'the great power of God,' is said in the _Acts of
the Apostles_ to have been converted by St. Philip and to have brought
upon himself a severe rebuke from St. Peter for offering to purchase
with money the gift of wonder-working. In about the third century the
legend of Simon Magus, as related by Clement of Alexandria, seems to
have already incorporated in a mythical form the discords of the early
Church, and especially the feud between the Jewish Christians, followers
of St. Peter, and the Gentile proselytes, followers of St. Paul. Indeed
Simon the Sorcerer was in course of time regarded by some as having been
identical with St. Paul--that is to say, it was believed that St. Paul
had been none other but Simon Magus in disguise. The voice heard at St.
Paul's conversion and the light by which for a season he was struck
blind were alleged to have been feats of wizardry by which he, a wolf in
sheep's clothing, stole his way into the true fold in order to introduce
discord and to betray the Church to the Gentiles.
St. Peter, the true Simon, is said to have followed the false Simon from
city to city, out-rivalling his Satanic miracles by orthodox miracles,
until at length they reached Rome. Here Simon Magus by his magic arts
succeeded in flying up into the sky in the presence of the Emperor and
his court, but at the word of Peter the charm was broken and the wizard
fell to earth and was killed.
But, besides this, the so-called Gnostic heresy introduced other
elements into the legend. These Gnostics were a sect that arose in the
early times of Christianity. They pretended to a special insight into
the divine nature, and combined Platonic and oriental theories with
Christian dogmas. They tried to convert the story of the Redemption into
a cosmological myth, and regarded the human person of Christ as a kind
of phantom--a magic apparition. Some of these Gnostics seem to have
accepted Simon Magus as the 'Power of God'--as the Logos, or divine
Reason, by which the world was created (or reduced from chaos to an
ordered Cosmos). From this a curious myth arose. This Logos, or creative
Power, was identified with the Sun-god, as the source of life, and as
Sun-god was united to the Moon-goddess, Selene. Now the words Helen and
Selene are connected in Greek, and Helen of Troy was accepted by these
Gnostics as a mythical form of the goddess of the moon. Hence it came
that in the Gnostic form of the Simon Magus legend he was married to
Helen of Troy, and this notion found its way into the old Faust-legend,
and is used by Goethe in that exceedingly wonderful and beautiful part
of his great poem which is called the _Helena_.
Public-domain text, read in full here on John Shaqi.
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