The feather symbol in ancient Hopi designsFewkes, Jesse Walter
Religion
The feather symbol in ancient Hopi designs
Fewkes, Jesse Walter
Feathers in art; Hopi Indians -- Antiquities; Hopi Indians -- Religion; Hopi Indians -- Rites and ceremonies; Hopi art
One of the most beautiful vessels from the cemetery of Sikyatki is
the "butterfly vase," the complicated design on which I have figured
in plate LX of the Smithsonian Report for 1895. I have represented a
sector of this design in figure 5 in order to point out the feather
decorations which form an important element in the ornamentation. The
other sectors closely resemble that figured, with the exception that
the butterflies in alternating sections have different markings on
their heads, indicative of the sex. The butterfly here represented is
female, and it is interesting to note the fact that the symbol of the
female was the same when this vase was made as that now used in Hopi
ceremonials.[11] There are three clusters of feathers (_f_) in this
section, and each cluster is composed of three members. One of these
clusters corresponds with those from the head of the reptile, figure 2.
The three feathers shown in the cut below the butterfly, and
peripherally placed on the surface of the vase, are likewise feather
symbols, but as they have different markings from the others are
probably from a different genera of birds. This form of feather symbol
is a common one on ancient Sikyatki ware. One of the best illustrations
may be seen in the wing of the bird which is figured on plate LX of
my preliminary report on Sikyatki (_op. cit._). That portion of the
wing which reproduces the wing feathers is shown in figure 4, and its
resemblance to the feathers on figure 5 will, I think, be evident at a
glance.[12]
On several of the food basins from Sikyatki we find two or more
feathers of this kind represented as hanging from a ring-shape or
crescentic figure. One of the former is represented in plate LXI of
the Smithsonian Report for 1895. The latter symbol has come down to
modern times, and the figure painted on a shield of the Soyaluña
ceremony, represented in color on plate CIV of my article on Tusayan
Katcinas,[13] is almost an exact reproduction of the design on
a Sikyatki food basin. This is one of several symbols on modern
ceremonial paraphernalia which we can trace back over three hundred
years by the aid of archaeology.
[Illustration: 6 7]
Public-domain text, read in full here on John Shaqi.
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