The Felon's Track; Or, History of the Attempted Outbreak in Ireland: Embracing the Leading Events in the Irish Struggle From the Year 1843 to the Close of 1848Doheny, Michael
History
The Felon's Track; Or, History of the Attempted Outbreak in Ireland: Embracing the Leading Events in the Irish Struggle From the Year 1843 to the Close of 1848
Doheny, Michael
Ireland -- History -- Rising of 1848; Young Ireland Party -- History; Young Ireland movement
The music's ready, the morning's bright,
Step together left, right, left, right,
We carry no gun,
Yet devil a one
But knows how to march in Tipperary O!
By twelves and sixteens on we go,
Rank'd four deep in close order O!
For order's the way
To carry the day,
March steadily, men of Tipperary O!
It is here introduced as a proof and a justification of what has been
stated in reference to one great object of the projectors of the monster
meetings. Possibly it will be said that this is an admission of the
truth of a charge frequently urged by Mr. O'Connell against the _Nation_
and its writers, namely, that they having intentions of which he knew
nothing, had committed him to breaches of the law, of which he was not
only not guilty but not cognisant, but which by a perversion of judgment
were given in proof against him at the celebrated State Trials. It is
quite true that they did entertain the intentions which he afterwards so
vehemently repudiated. But they never once concealed them. In the
Association, and where Mr. O'Connell was committed with them, they
abstained from giving them utterance; but they did so because they felt
bound to act in accordance with the resolution of that body. And with
respect to the proceedings of the Cashel meeting and the more wonderful
and significant meetings that followed, they always submitted to him and
had his entire sanction for every act done at and every line written for
these meetings. In fact, if he were in any way mistaken as to them, they
were still more grievously deceived as to him. All their acts and
speeches were in the direction of their intentions; all his acts and
speeches were in the same direction, and went further. In truth, they
believed that he fully concurred in the sentiments which they cared not
to conceal, but which he had the cunning or caution not to avow. One
justification of this belief has been already given; another and a more
pregnant one was the Mallow defiance which the greatest poet and the
greatest sculptor of our time and nation have immortalised. In reference
to proofs not published, however conclusive, this history shall be
silent.
Public-domain text, read in full here on John Shaqi.
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