The female-impersonators: $b A sequel to the autobiography of an androgyne and an account of some of the author's experiences during his six years' career as instinctive female-impersonator in New York's underworld; together with the life stories of androgyne associates and an outline of his subsequently acquired knowledge of kindred phenomena of human character and psychology — John Shaqi
The female-impersonators: $b A sequel to the autobiography of an androgyne and an account of some of the author's experiences during his six years' career as instinctive female-impersonator in New York's underworld; together with the life stories of androgyne associates and an outline of his subsequently acquired knowledge of kindred phenomena of human character and psychologyWerther, Ralph
History
The female-impersonators: $b A sequel to the autobiography of an androgyne and an account of some of the author's experiences during his six years' career as instinctive female-impersonator in New York's underworld; together with the life stories of androgyne associates and an outline of his subsequently acquired knowledge of kindred phenomena of human character and psychology
Werther, Ralph
Cross-dressing -- United States -- History; Gay men -- United States -- Biography; Transgender people -- United States -- Biography; Werther, Ralph, 1874-
Androgynes tend to occupations having to do with [Sidenote: _Androgynes
Are Aesthetes._] art—in the widest sense of that word. They are extreme
æsthetes. I quote from Edward Carpenter’s _Love’s Coming-of-Age_
(published by Boni and Liveright) page 135, where he speaks of male
urnings, called by myself “androgynes”: “At the bottom lies the
artist-nature, with the artist’s sensibility and perception. Such a one
is often a dreamer, of brooding reserved habits, often a musician, or a
man of culture, ... almost always with a peculiar inborn refinement. De
Joux ... says...: ‘They are enthusiastic for poetry and music, are often
eminently skilful in the fine arts, and are overcome with emotion and
sympathy at the least sad occurrence.... The nerve system of many an
urning is the finest and the most complicated musical instrument in the
service of the interior personality that can be imagined.’” (R. W.’s
comment: An androgyne is usually a bundle of nerves.)
In my university course in æsthetics, the professor lamented that art
tends to make its devotees immoral. He probably had in mind the
notorious frequency of homosexuality among æsthetes. But he got the cart
before the horse. The æsthetes affected were born bisexual and their
devotion to art was a consequence.
Androgynes are clearly of two types, each of which, the author
estimates, constitutes in the United States about one out of every
three hundred humans possessing the male primary determinants:[7] (a)
The [Sidenote: _The Mildly Androgynous._] mildly androgynous, of whom
Oscar Wilde is the best known of contemporaries; and (b) the
ultra-androgynous, of whom the present writer is the most widely known
of his generation.
* * * * *
(a) The anatomy of the mildly androgynous is not conspicuously feminine.
Only a few feminine traits appear in the psyche. The mildly androgynous
always mingle with full-fledged males and seek to pass as such
themselves. As a cloak, they are prone to fabricate about excesses _cum
femina_. But while secretly preferring homosexual romance, they are
capable of espousing a woman and begetting children. [Sidenote: _The
Ultra-Androgynous._] Sexologists have therefore called them “psychic
hermaphrodites.”
(b) In ultra-androgynes alone, the physique is noticeably feminesque,
and the psyche predominantly feminine. As a rule, they alone have a
craze to decorate themselves in feminine finery and spread paint and
powder on their faces. They tend to avoid the society of full-fledged
males except to display to a tremendously virile coterie—to whom they
are generally incognito—their skill in female-impersonation.
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