England -- Fiction; Mothers and daughters -- Fiction; Murder -- Investigation -- Fiction; Mystery fiction
"I am not," acknowledged Clendon with touching candour; "he wanted me
to become a churchman, and I didn't care about it. We had words and
parted. Now, however, I've won a success in literature, I'll go back
and ask the pater to kill the domestic veal. You I will bring with me
to the banquet, and as Miss Pethram lives near you will be able to see
her, woo her, wed her, and be happy ever afterwards."
Archie made no reply, but smoked furiously; and Toby, having delivered
himself of what he had to say, also subsided into silence.
After a pause said Maxwell--
"Toby."
"Yes."
"I'll come."
"What about South America?"
"D---- South America."
CHAPTER III.
THE WOMAN WITH THE FIERCE EYES.
You are a snake,
For the sly beast lies
Coiled in the brake
Of your sleepy eyes,
Lo, at your glances my weak soul dies.
Woman you are
With a face so fair;
But the snake must mar
All the woman there.
Your eyes affright, but your smiles ensnare.
Such a poor room it was, with a well-worn carpet, shabby furniture, a
dingy mirror over the fireplace, and a mean sordid look everywhere.
The bright sunshine, pouring in through the dirty windows, showed up
the weak points of the apartment in the most relentless manner. Great
folding-doors at one side half open, showing an untidy bedroom beyond,
and on the other side the many-paned windows, veiled by ragged
curtains, looked out into Jepple Street, Bloomsbury.
There was a shaky round table in the centre of the apartment, on which
was spread a doubtfully clean cloth, and on it the remains of a very
poor breakfast. An egg half eaten, a teacup half filled, and a portion
of bread on the plate showed that the person for whom this meal was
provided had not finished, and, indeed, she was leaning on the table
with her elbows, looking at a copy of the _Daily Telegraph_.
A noticeable woman this, frowning down on the newspaper with tightly
closed lips, and one whom it would be unwise to offend.. After a pause
she pushed the paper away, arose to her feet, and marching across to
the dingy mirror, surveyed herself long and anxiously. The face that
looked out at her from the glass was a remarkable one.
Dark, very dark, with fierce black eyes under strongly marked
eyebrows, masses of rough dark hair carelessly twisted up into a heavy
coil, a thin-lipped, flexible mouth and a general contour of face not
at all English. She had slender brown hands, which looked powerful in
spite of their delicacy, and a good figure, though just now it was
concealed by a loose dressing-gown of pale yellow silk much
discoloured and stained. With her strange barbaric face, her gaudy
dress, Mrs. Belswin was certainly a study for a painter.
Public-domain text, read in full here on John Shaqi.
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