The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfullyCook, William Wallace
Philosophy
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully
Cook, William Wallace
Authorship; Fiction
"When I was a young writer I sold a story to a juvenile paper. It
was published. And not until the boys began to write in about it did
either the editor or I discover that I had my hero dying of thirst
_on a raft in Lake Michigan_!"
VII.
INSPIRATION
ALIAS INDUSTRY.
Jack London advises authors not to wait for inspiration but to "go
after it with a club." Bravo! It is not intended, of course, to lay
violent hands on the Happy Idea or to knock it over with a bludgeon.
Mr. London realizes that, nine times out of ten, Happy Ideas are drawn
toward industry as iron filings toward a magnet. The real secret lies
in making a start, even though it promises to get you nowhere, and
inspiration will take care of itself.
There's a lot of "fiddle-faddle" wrapped up in that word "inspiration."
It is the last resort of the lazy writer, of the man who would rather
sit and dream than be up and doing. If the majority of writers who
depend upon fiction for a livelihood were to wait for the spirit of
inspiration to move them, the sheriff would happen along and tack a
notice on the front door--while the writers were still waiting.
More and more Edwards' experience, and the experience of others which
has come under his observation, convinces him that inspiration is
only another name for industry. When he was paymaster for the firm of
contractors, he went to the office at 8 o'clock in the morning, took
half an hour for luncheon at noon, and left for home at half-past 5.
When he broke away from office routine, he promised himself that he
would give as much, or more, of his time to his Fiction Factory.
What he feared was that ideas would fail to come, and that he would
pass the time sitting idly at his typewriter. In actual practice, he
found it almost uncanny how the blank white sheet he had run into his
machine invited ideas to cover it. After five, ten or fifteen minutes
of following false leads, he at last hit upon the right scent and was
off at a run. With every leap his enthusiasm grew upon him. A bright
bit of dialogue would evoke a chuckle, a touch of pathos would bring
a tear, an unexpected incident shooting suddenly out of the tangled
threads would fill him with rapture, and for the logical but unexpected
climax he reserved a mood like Caesar's, returning from the wars and
celebrating a triumph.
In the ardor of his work he forgot the flight of time. He balked at
leaving his typewriter for a meal and went to bed only when drowsiness
interfered with his flow of thought.
Whether he was writing a Five-Cent Library, a serial story or a novel
which he hoped would bring him fame and fortune, the same delight
filled him whenever he achieved a point which he knew to be worth
while. And whenever such a point is achieved, my writer friend, there
is something that rises in your soul and tells you of it in words that
never lie.
Public-domain text, read in full here on John Shaqi.
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