The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully — John Shaqi
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfullyCook, William Wallace
Philosophy
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully
Cook, William Wallace
Authorship; Fiction
"In the early days, when I lived on the plains of Western Kansas
on a homestead," says John H. Whitson, well and favorably known to
dozens of editors, "I was nosed out by a correspondent for a Kansas
City paper, who thought there was something bizarre in the fact
that an author was living the simple life of a Western Settler. The
purported interview he published was wonderful concoction! He gave
a descriptive picture of the dug-out in which I lived, and filled
in the gaps with other matter drawn from his imagination, making me
out a sort of literary troglodyte; whereas, as a matter of fact, I
had never lived in a dug-out. On top of it, one of my homesteading
friends asked me in all seriousness how much I had paid to get that
write-up and picture in the Kansas City paper, and seemed to think I
was doing some tall lying when I said I had paid nothing."
FOOTNOTES:
[E] This magazine, by the way, which had an humble beginning, has grown
into one of the high class "populars" and has a wide circulation.
[F] Telegram sent on same day letter was received saying story was
satisfactory.
XI
WHEN FICTION IS
STRANGER THAN TRUTH.
We are told that "fiction hath in it a higher end than fact," which we
may readily believe; and we may also concede that "truth is stranger
than fiction," at least in its occasional application. Nevertheless, in
the course of his career as a writer Edwards has created two fictional
fancies which so closely approximated truth as to make fiction stranger
than truth; and, in one case, the net result of imagination was to
coincide exactly with real facts of which the imagination could take
no account. Perhaps each of these two instances is unique in its
particular field; they are, in any event, so odd as to be worthy of
note.
In the early 90's, when a great deal of Edwards' work was appearing,
unsigned, in _The Detroit Free Press_, he wrote for that paper a brief
sketch entitled, "The Fatal Hand." The sketch was substantially as
follows:
"The Northern Pacific Railroad had just been built into Helena,
Montana, and I happened to be in the town one evening and stepped
into a gambling hall. Burton, a friend of mine, was playing poker
with a miner and two professional gamblers. I stopped beside the
table and watched the game.
Cards had just been drawn. Burton, as soon as he had looked at his
hand, calmly shoved the cards together, laid them face-downward
in front of him, removed a notebook from his pocket and scribbled
something on a blank leaf. 'Read that,' said he, 'when you get back
to your hotel tonight.'
The play proceeded. Presently the miner detected one of the
professional gamblers in the act of cheating. Words were passed,
the lie given. All the players leaped to their feet. Burton, in
attempting to keep the miner from shooting, received the gambler's
bullet and fell dead upon the scattered cards.
Public-domain text, read in full here on John Shaqi.
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