The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfullyCook, William Wallace
Philosophy
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully
Cook, William Wallace
Authorship; Fiction
It costs you nothing to think, but it costs infinitely to write. I
therefore preach to you eternally that art of writing which Boileau
has so well known and so well taught, that respect for the language,
that connection and sequence of ideas, that air of ease with which
he conducts his readers, that naturalness which is the true fruit of
art, and that appearance of facility which is due to toil alone. A
word out of place spoils the most beautiful thought.--_Voltaire to
Helvetius_, a young author.
XVIII
KEEPING
EVERLASTINGLY AT IT
Edwards had not visited New York in 1903, but he landed there on
Friday, Jan. 1, 1904,--literally storming in on a train that was seven
hours late on account of the weather. A cab hurried him and his wife to
the place in Forty-fourth street where the pleasant landlady used to
hold forth, but they found, alas! that the old stamping ground was in
the hands of strangers. It was like being turned away from home.
Where should they go? Edwards remembered that, on one of his previous
visits to New York, Mr. Perkins had recommended the St. George Hotel,
over in Brooklyn. The St. George was within a few blocks of the south
end of the bridge and the offices of Harte & Perkins were in William
street, close to the north end. So Edwards and his wife went to the
Brooklyn hotel and there established their headquarters.
On Jan. 2 Edwards called on the patrons of his Factory. The result was
not particularly encouraging. Harte & Perkins instructed him to stop
work on the Five-Cent Library, but said that in about two months they
would have a new library for him to take care of.
Edwards had brought with him to the city his dramatic version of "The
Tangle in Butte," the play which had come so near turning $5,000 into
the Factory's strong-box. It was Edwards' hope that he might be able
to dispose of the play, but the hope went glimmering when he learned
that there were 10,000 actors stranded in New York, and that things
theatrical were generally in a bad way.
During 1903 Edwards had corresponded with Mr. H. H. Lewis, editor of
_The Popular Magazine_, a recent venture of Messrs. Street & Smith's.
He had submitted manuscripts to Mr. Lewis but they had not proved to
be in line with _The Popular's_ requirements. It is difficult, through
correspondence, to discover just what an editor wants. The only way to
get at such a thing properly is by personal interview. If the would-be
contributor does not then get the editor's needs clearly in mind it is
his own fault.
Edwards called on Mr. Lewis and had a pleasant chat with him. The
assistant editor was Mr. A. D. Hall, a capable gentleman who had been
with Messrs. Street & Smith for many years, and with whom Edwards was
well acquainted.
Public-domain text, read in full here on John Shaqi.
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