The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfullyCook, William Wallace
Philosophy
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully
Cook, William Wallace
Authorship; Fiction
Another story, written this year to order, also serves to show that
facility in handling strange themes or environments does not always
depend upon personal acquaintance with the subject in hand. Intelligent
study and investigation can many times, if not always, piece out a lack
of personal experience. Blazing a course through _terra incognita_ in
such a manner, however, is not without its dangers.
Harte & Perkins wished to begin the yearly volume of _The Guest_ with
a Stella Edwards serial. This story was to have, for its background,
the San Francisco earthquake. Nearly the whole action of the yarn was
to take place in the city itself. Edwards had never been there. He had
vague ideas regarding the "Golden Gate," Oakland and other places, but
for accurate knowledge he was as much at sea as in the case of the
railroad story. He set the wheels of industry to revolving, however,
and familiarized himself so thoroughly with the city from books,
newspapers and magazines that the editor of _The Guest_, an old San
Francisco newspaper man, had this to say about the story:
"It will please you to learn that we think 'A Romance of the
Earthquake' a very interesting story, with plenty of brisk action,
picturesque in description, and DISPLAYING A THOROUGH KNOWLEDGE OF
CALIFORNIA'S METROPOLIS AND VICINITY."
Although these are interesting problems to solve, yet Edwards, as a
rule, prefers dealing with material that has formed a part of his own
personal experiences.
His "prospecting" trip for the year brought him into New York on
Monday, Nov. 12. On Tuesday (his "lucky day," according to the Coney
Island seer of fateful memory), he called on Mr. White, and Mr. White
took him across the hall and introduced him to Mr. Davis. The latter
gentleman ordered four serials and, for stories of a certain length,
agreed to pay $500 each.
Next day Edwards dropped in at the offices of Street & Smith and
submitted a novelette--"The Billionaire's Dilemma"--to Mr. MacLean,
editor of _The Popular Magazine_ (Mr. Lewis having retired from that
publication some time before). Mr. MacLean carried the manuscript in
to Mr. Vivian M. Moses, editor of _People's_ and the latter bought it.
This story made a hit in the _People's_ and won from Mr. George C.
Smith, of the firm, a personal letter of commendation. Result: More
work for _The People's Magazine_.
About the middle of December, Edwards and his wife left for their
home in Michigan. They had been in the city a month, and during that
time Edwards had received $1150 for his Factory's products. The year,
financially, was the best Edwards had so far experienced; but it was to
be outdone by the year that followed.
During 1907 a great deal of writing was done for Mr. Davis. Among other
stories submitted to him was one which Edwards called, "On the Stroke
of Four." Regarding it Mr. Davis had expressed himself, May 6, in
characteristic vein:
"My dear Colonel:
Public-domain text, read in full here on John Shaqi.
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