The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfullyCook, William Wallace
Philosophy
The Fiction Factory: Being the experience of a writer who, for twenty-two years, has kept a story-mill grinding successfully
Cook, William Wallace
Authorship; Fiction
Send it along. The title is not a bad one. I suppose it will arrive
at a quarter past five, as you are generally late....
Now that spring is here, go out and chop a few kindlings against the
canning of the fruit. This season we are going to preserve every dam
thing on the farm. In the meantime, put up a few bartletts for little
Willie. We may drop in provided the nest contains room."
He received an urgent invitation to "drop in." But he didn't. He
backed out. Possibly he was afraid he would have to "pioneer it" in
the country, after years of metropolitan luxury in the effete East. Or
perhaps he was afraid that Edwards might read some manuscripts to him.
Whatever the cause, he never appeared to claim the "bartletts," made
ready for him with so much painstaking care by Mrs. Edwards. But this
was not the only count in the indictment. He sent back "On the Stroke
of Four!" And this was his message:
"Up to page 106 this story is a peach. After that it is a peach, but
a rotten peach, and I'd be glad to have you fix it up and return it."
After Edwards has finished a story he has an ingrained dislike for
tampering with it any further. However, had he not been head over ears
in other work, he would probably have "fixed up" the manuscript for Mr.
Davis. In the circumstances, he decided to try its fortunes elsewhere.
Mr. Moses took it in, paid $400 for it, and pronounced it better than
"The Billionaire's Dilemma."
At a later date, Mr. Davis wanted another sea story for _Ocean_ which,
at that time, was surging considerably. "On the Stroke of Four" had
been designed to fill such an order. Inasmuch as it had failed,
Edwards wrote a second yarn which was accepted at $450.
The sea, and the people who go down to it in ships, to say nothing of
the ships themselves, were all out of Edwards' usual line. He prepared
himself by reading every sea story he could lay hands on, long or
short. He bought text-books on seamanship and navigation, and whenever
there were manoeuvers connected with "working ship" in a story, Edwards
puzzled them out with the help of the text-books. With both deep-water
serials he succeeded tolerably well. He is sure, at least, that he
didn't get the spanker-boom on the foremast, nor the jib too far aft.
Harte & Perkins again favored the Factory with an order for a "Stella
Edwards" to begin another volume of _The Guest_. This was an automobile
story, "The Hero of the Car," and was accepted and highly praised.
Another novelette, "An Aerial Romance," was bought by Mr. Moses for
_The People's Magazine_.
Beginning in March, Edwards had written some more nickel novels for
Harte & Perkins--not the old Five-Cent Weekly, for that he was never
to do again--but various stories, in odd lots, to help out with a
particular series. On July 14 he was switched to another line of
half-dime fiction, and this work he kept throughout the remainder of
the year.
For the two years the Factory's showing stands as follows:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account