confidences, complaining about that last dish at dinner, grazing and grunting over all the green volcanoes of Auvergne, and then you may hope to understand the people’s wit. But listen! What unearthly noise is that which rises at this very moment from the farm? No pigsticking, for we are in summer still. There goes Madame Langeac, followed by her two maids and a small boy; each of them holds high a copper saucepan, warming-pan, or kettle (serving as a cymbal), on which she clatters with a key or fork. The three dogs and old Gaffer Langeac look on and grin. Slowly in calm procession they move down the lane till they reach the old walnut-tree in the field beneath our wall. And now I see a sort of fruit on a bough of the tree, like a black hanging pear or melon. It is a swarm of bees. From field to field, its owners have followed it with this infernal symphony, which serves, as they suppose, to attract the bees, or in any case to advertise the owner of the land on which they settle, whose property they are. See, a woman brings the hive. To-morrow, the swarm will be busy in its straw-clad home on the sunny bench beneath the south-east wall. And the bees will take rank as friends. On feast-days the children will deck their hive with flowers or coloured ribbons; a bow of crape will be tied to it in times of mourning. So, deeming themselves beloved and associate, the bees will work and supply their masters with the sweet, dark honey of Auvergne, so pungently perfumed, so luscious and aromatic, filled with the scent of the heather and the savour of the sarrazin. III