When my friend Vernon Lee affords us the pleasure of a visit, we turn to other interests, such as fall in with the picturesque and archæological turn of her imagination. Our hills are studded everywhere with ancient castles, mountain manors, and country houses, some of them very small, mere cottages, scarce larger than our tiny Olmet which does not boast a dozen rooms all told. Such are [Illustration: THE OLD HOUSE AT OLMET] Cols, buried in woods under the toppling mountain-crags; and beautiful Trémoulet, perched on the peak of a rock suddenly reared in the wild gorge of the Cère. Others are solid feudal keeps, to which has been added, some two hundred years ago, a steep-roofed comfortable dwelling-house, with charming unsymmetrical windows, an air of open grace, and a complete indifference to the old fortress it has married. Comblat-le-Château is of this sort. Just opposite our windows, on the other side the valley, it stands amid its lawns and gardens, at the foot of the mountain, on a low mound, overlooking the road to Vic. Though seldom inhabited, it looks the most cheerful and habitable of our châteaux, of which the most picturesque (after Trémoulet) are Pestels and Vixouge. Pestels, alas! restored last year, but still magnificent, by virtue of the immense proportions of its six-storied battlemented keep, and its romantic position--Pestels is seated on a steep ledge or platform some way up the mountain, surrounded by precipices which, on three sides, drop to the valley, and, on the fourth, into a wooded ravine or glen. Vixouge stands halfway up the opposite hill, built on a knoll or holm, with the pastures falling gently from it. The walls and gateway are of the fourteenth century, the latter fortified by two small round towers. But now the gate stands open on a shady lane, opposite a circular stone fountain, with a drinking-trough for cattle. It leads to a dark abandoned garden, all overgrown, and a tall seventeenth-century manor, steep-roofed, with corbelled turrets at the corners, and a peculiar, inexpressible air of poetic melancholy. Just so must have looked the moated grange of Mariana. The owls must love to hoot here, and at night, no doubt, the ravens flap about the lonely house, which might have taken life from a dream of Robida or Gustave Doré. From the manor-wall, the eye drops sheer to a glittering lozenge of water in the fields below--a reservoir, with beside it, half in ruins, a Louis Seize Chinese pagoda, the bathhouse of some eighteenth-century ancestress; its bright red dilapidated roof and damp-stained walls tell of a century’s neglect. All round the mountains lie in heaps. Below Vixouge, right and left, stretches the Pas du Luc, a long-backed ridge of moor, where landslip after landslip has loosed the great blocks of andesitic breccia, which lie heaped up among the bracken and heather. It is a place to dream in, hour after hour.