It is in autumn that you should visit the Commanderie. The house, still relatively small, is picturesque, a long irregular priory or manor-house, with lancet chapel-windows at one end, and in the centre a jutting pseudo-gothic turret that masks the staircase. With its mullioned windows and grey walls hung with crimson creeper, it looks at first sight rather Scotch or English than French. The lawn that spreads in front confirms the impression. Our grass plots in France are generally left to grow for hay, and stand tall with flowers and seeding-grasses, save for a band clean shaven near the house. But my friend here is of Lord Bacon’s thinking: “That nothing is more Pleasant to the Eye than _Greene Grasse_ kept finely shorn.” A velvet lawn stretches between the infrequent lovely beds heaped so high, where the tall cannas outflame the red and orange touches on the woods, where pale-blue plumbagos, yellow canariensis, and violet clematis, twining over hop-poles, fall in loose garlands and festoons like coloured fountains of flowers. So the green expanse sweeps up the slope till it meets a glade of browner oak-trees, starred thickly underfoot with crimson cyclamen. Beyond a wandering path the oak-wood rustles, and crowns the height. So much for the view from the front; east and west, the park stretches, occupying a combe between the wooded slopes. Turning east, you cross the moat, inseparable from every ancient manor-house in France, you pass the orangery with its terrace, where the trees stand out in pots all summer, and so you arrive at a series of large walled gardens or _potagers_. You enter by a _rosarium_ where, well to the south, sheltered by stone walls draped with peaches in espalier, the roses grow profusely, not trained over balls or arches, nor cut into standards, but somewhat wild and bushy, just as Nature made them. Invisible at their feet, flat beds of mignonette, verbena, violet and heliotrope give odour; for the rose is a fast flower of its smell, as Lord Bacon noticed (when writing of gardens one may surely quote him twice): “And you may walk by a whole row of them and find nothing of their sweetness.” From the rose-garden starts a long rectangle of three walled _potagers_ in a suite, opening into each other like a set of state rooms. The walls of all alike are trained and pleached with fruit-trees, and more especially, in this first one, with vines: trellises of grapes, purple and white, and that small golden sort called Chasselas, whose flavour is perhaps unrivalled. The three gardens communicate by means of arched gateways, through which--right through from end to end--runs a broad gravelled walk, set on either side with deep, high banks of common flowers for cutting, such as roses, chrysanthemums, zinnias, asters, phlox, dahlias, and cannas, tall Paris daisies, freesias, and autumn lilies. Behind this varied screen stretch the beds of fruit and vegetables, strawberries and raspberries, which ripen on into latest