William Bunker had paid a fine of two hundred dollars for beating his
wife. After getting his receipt he went moodily home and seated himself
at the domestic hearth. Observing his abstracted and melancholy
demeanour, the good wife approached and tenderly inquired the cause.
“It’s a delicate subject, dear,” said he, with love-light in his eyes;
“let’s talk about something good to eat.”
Then, with true wifely instinct she sought to cheer him up with
pleasing prattle of a new bonnet he had promised her. “Ah! darling,” he
sighed, absently picking up the fire-poker and turning it in his hands,
“let us change the subject.”
Then his soul’s idol chirped an inspiring ballad, kissed him on the top
of his head, and sweetly mentioned that the dressmaker had sent in her
bill. “Let us talk only of love,” returned he, thoughtfully rolling up
his dexter sleeve.
And so she spoke of the vine-enfolded cottage in which she fondly hoped
they might soon sip together the conjugal sweets. William became
rigidly erect, a look not of earth was in his face, his breast heaved,
and the fire-poker quivered with emotion. William felt deeply. “Mine
own,” said the good woman, now busily irrigating a mass of snowy dough
for the evening meal, “do you know that there is not a bite of meat in
the house?”
It is a cold, unlovely truth—a sad, heart-sickening fact—but it must be
told by the conscientious novelist. William repaid all this
affectionate solicitude—all this womanly devotion, all this trust,
confidence, and abnegation in a manner that needs not be particularly
specified.
A short, sharp curve in the middle of that iron fire-poker is eloquent
of a wrong redressed.
Little Isaac
Mr. Gobwottle came home from a meeting of the Temperance Legion
extremely drunk. He went to the bed, piled himself loosely atop of it
and forgot his identity. About the middle of the night, his wife, who
was sitting up darning stockings, heard a voice from the profoundest
depths of the bolster: “Say, Jane?”
Jane gave a vicious stab with the needle, impaling one of her fingers,
and continued her work. There was a long silence, faintly punctuated by
the bark of a distant dog. Again that voice—“Say—Jane!”
The lady laid aside her work and wearily, replied: “Isaac, do go to
sleep; they _are_ off.”
Another and longer pause, during which the ticking of the clock became
painful in the intensity of the silence it seemed to be measuring.
“Jane, _what’s_ off!” “Why, your boots, to be sure,” replied the
petulant woman, losing patience; “I pulled them off when you first lay
down.”
Again the prostrate gentleman was still. Then when the candle of the
waking housewife had burned low down to the socket, and the wasted
flame on the hearth was expiring bluely in convulsive leaps, the head
of the family resumed: “Jane, who said anything about boots?”
Public-domain text, read in full here on John Shaqi.
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