It is true that Plato, in the Gorgias, says that the Athenians passed a vote to throw Miltiades into the Barathrum, and speaks of the interposition of the Prytanis in his favour; but it is to be remembered that Plato, with all his transcendent genius, was (as Niebuhr has termed him) a very indifferent patriot, who loved to blacken the character of his country's democratic institutions; and if the fact was that the Prytanis, at the trial of Miltiades, opposed the vote of capital punishment, and spoke in favour of the milder sentence, Plato (in a passage written to show the misfortunes that befell Athenian statesmen) would readily exaggerate this fact into the story that appears in his text.] The melancholy end of Miltiades, after his elevation to such a height of power and glory, must often have been recalled to the mind of the ancient Greeks by the sight of one, in particular, of the memorials of the great battle which he won. This was the remarkable statue (minutely described by Pausanias) which the Athenians, in the time of Pericles, caused to be hewn out of a huge block of marble, which, it was believed, had been provided by Datis to form a trophy of the anticipated victory of the Persians. Phidias fashioned out of this a colossal image of the goddess Nemesis, the deity whose peculiar function was to visit the exuberant prosperity both of nations and individuals with sudden and awful reverses. This statue was placed in a temple of the goddess at Rhamnus, about eight miles from Marathon, Athens herself contained numerous memorials of her primary great victory. Panenus, the cousin of Phidias, represented it in fresco on the walls of the painted porch; and, centuries afterwards, the figures of Miltiades and Callimachus at the head of the Athenians were conspicuous in the fresco. The tutelary deities were exhibited taking part in the fray. In the back-ground were seen the Phoenician galleys; and nearer to the spectator, the Athenians and the Plataeans (distinguished by their leathern helmets) were chasing routed Asiatics into the marshes and the sea. The battle was sculptured also on the Temple of Victory in the Acropolis; and even now there may be traced on the frieze the figures of the Persian combatants with their lunar shields, their bows and quivers, their curved scimetars, their loose trowsers, and Phrygian tiaras. [Wordsworth's "Greece," p. 115.] These and other memorials of Marathon were the produce of the meridian age of Athenian intellectual splendour--of the age of Phidias and Pericles. For it was not merely by the generation of men whom the battle liberated from Hippias and the Medes, that the transcendent importance of their victory was gratefully recognised. Through the whole epoch of her prosperity, through the long Olympiads of her decay, through centuries after her fall, Athens looked back on the day of Marathon as the brightest of her national existence.