New York (N.Y.) -- Fiction; Women -- Suffrage -- United States -- Fiction; Young women -- Fiction
The other guests wore raincoats, too--we met a few on the way--with
dull-colored suits underneath, and tailored hats. There wasn't a single
bright, frivolous thing about that tea. Even the house was dismal--rows
of black walnut bookcases with busts of great men on top, steel
engravings framed in oak on the walls, and a Boston fern or two in red
pots sitting about on plates. When I looked up from my weak tea, served
in a common stock-pattern willow cup, and saw Lucy sparkling with
pleasure, talking away for dear life with a white-haired old man who
wore a string tie and had had two fingers shot off in the Civil War (I
always hated to shake hands with him) a wave of intolerance for age and
learning swept over me. I told Lucy if she didn't mind I'd run along
home, and stepped across the hall into a little stupid room with a
roll-top desk in it, where we had left our raincoats, and rubbers. I put
on my things and then stood staring a moment at a picture on the wall. I
didn't know what the picture was. I simply looked at it blindly while I
fought a sudden desire to cry. I hadn't wept before. But this dreadful
house, these dry, drab people were such a contrast to my
all-but-realized ambitions that it brought bitter tears to my eyes. Life
at Grassmere--_that_ was living! This was mere existence.
Just as I was groping for a handkerchief some little fool of a woman
exclaimed, "Oh, there she is--in the study! I thought she hadn't gone. O
Miss Vars, there's somebody I want you to meet, and meet you. Here she
is, Mr. Jennings. Come in. Miss Vars," I was still facing the wall,
"Miss Vars, I want to introduce Mr. Jennings." I turned finally, and as
I did so she added, "Now, I must go back to Dr. Fuller. I was afraid
you'd gone," and out she darted. I could have shot her.
Mr. Jennings came straight across the room. Through a blur I caught an
impression of height, breadth and energy. His sudden hand-grasp was firm
and decisive. "How do you do?" he said, and then abruptly observed my
tears.
"You've caught me with my sails all down," I explained.
"Have I?" he replied pleasantly. "Well, I like sails down."
"Please do not think," I continued, "that I am often guilty of such a
thing as this. I'm not. Who was that woman anyhow?"
"Oh, don't blame her," he laughed, and he stepped forward to look at the
picture which I had been staring at. I was busy putting away my
handkerchief. "Who was that woman?" Mr. Jennings repeated, abruptly
turning away from the picture back to me, "Who was she? I'll tell you
who she was--a good angel. Why," he went on, "I'd got into the way of
thinking that sympathy as expressed by tears had gone out of style with
the modern girl. They never shed any at the theater nowadays, I notice.
I'm glad to know there is one who hasn't forgotten how."
Public-domain text, read in full here on John Shaqi.
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