New York (N.Y.) -- Fiction; Women -- Suffrage -- United States -- Fiction; Young women -- Fiction
I forgot just for a minute that I didn't want to see another man for
years and years. He wasn't a man just then, but a bright and colorful
illumination. He stood before me full of life and vigor. He was tall
and straight. His close-cropped hair shone like gold in the pale
gas-light, and there was a tan or glow upon his face that made me think
of out-of-doors. His smile, his straightforward gaze, his crisp voice,
had brightened that dull little room for me. I went with him. Of course
I did--out into the rainy darkness of the late October afternoon, drawn
as a child towards the glow of red fire.
CHAPTER XI
A WALK IN THE RAIN
Once on the side-walk Mr. Jennings said, "I'm glad to know your name,
for I know you by sight already. Shall we have any umbrella?"
"Let's not," I replied. "I like the mist. But how do you know me?"
"I thought you would--like the mist, I mean--because you seem to like
my woods so well."
"Your woods! Why--what woods?"
"The ones you walk in every day," he cheerfully replied; "they're
mine. I discovered them, and to whom else should they belong?"
"I've been trespassing, then."
"Oh, no! I'm delighted to lend my woods to you. If you wear blinders and
keep your eyes straight ahead and stuff your ears with cotton so you
can't hear the trolleys, you can almost cheat yourself into thinking
they're real woods with a mountain to climb at the end of them. Do you
like that little rustic seat I made beside the lake?"
"Did you make it?"
"Yes, Saturdays, for recreation last year. I'm afraid it doesn't fit
very well." He smiled from out of the light of a sudden lamp-post.
"You'll find a birch footstool some day pretty soon. I noticed your feet
didn't reach. By the way," he broke off, "pardon me for quoting from
you, but _I_ don't think back-season debutantes are like out-of-demand
best-sellers--not all of them. Anyhow, all best-sellers do not
deteriorate. And tell me, is this chap with the deep-purring car the
villain or the hero in your novel--the dark one with the hair blown
straight back?"
I almost stopped in my amazement. He was quoting from my life history.
"I don't understand," I began. I could feel the color in my cheeks. "I
dislike mystery. Tell me. Please. How did you--I dislike mystery," I
repeated.
"Are you angry? It's so dark I can't see. Don't be angry. It was
written on theme paper, in pencil, and in a university town theme
paper is public property. I found them there one day--just two loose
leaves behind the seat--and I read them. Afterwards I saw you--not
until afterwards," he assured me, "writing there every day. I asked
to be introduced to you when I saw you tucked away in a corner there
this afternoon drinking tea behind a fern, so that I could return
your property."
"Oh, you've kept the leaves! Where are they?" I demanded.
Public-domain text, read in full here on John Shaqi.
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