“Not so long as my making a fool of myself can get such a
sweet-sounding laugh out of you,” he returned. “But, honest, Dey, how
can you expect me to know them things about horns an’ Dutchmen an’
spinnin’, an’ all that, when you never tell me beforehand what it is
you’re goin’ to play? When you’re doin’ those piano stunts, I always
feel like you was travelin’ through places where the ‘No Thoroughfare’
sign’s hung out for _me_. Then when I make b’lieve I’m keepin’ up with
you,--just so as I won’t get to feelin’ too lonesome,--you find it out
somehow an’ call me down. What’s that thing you’re playin’ _now_?”
Infinitely sweet, fraught with all the tender hopelessness of parting,
the notes sobbed out into the little room; then stopped abruptly.
“That’s all I know of it,” she said. “I only heard it once. In New
York, winter before last. It’s the third act duet between Mimi and
Rodolfo in ‘_Bohéme_.’ Where they say goodbye in the snow, at the Paris
barrier. I wish I remembered the rest of it.”
“Why, I thought those people was in the _play_ you told me about. You
see I _do_ remember some things like that. Weren’t they the ones that
was in love an’ the feller said the girl was his ‘Youth,’ an’ when she
died--”
“Yes. It’s an opera with the same sort of story. It’s queer you
remember it. That’s the second time you’ve spoken to me about ‘_La Vie
de Bohéme_’. How funny that a big, matter-of-fact business man like
you should be interested in sentimental stories of Youth and Love
and Death! Come!” rising from the music stool and losing the unwonted
dreaminess that had stolen over her, “I’m going to talk to you now
about the Standishes’ dinner. Have you _any_ idea how to behave, or
what to do?”
“Well,” drawled Caleb, “I guess it’s mor’n three years now since
you loored me from the simple Jeffersonian joys of eatin’ with my
knife. An’ I know ’bout not tuckin’ my napkin under my chin, an’ not
makin’ noises like a swimmin’ pool while I’m eatin’ soup. An’--an I
mustn’t touch the butter with my fork. You see I’ve learnt a lot by
your lettin’ me come here to dinner so often. I guess there ain’t any
more things to remember, are there? The part about the butter will be
hardest, but--”
“There won’t be any butter,” said Desirée, “So there’s one less
temptation for you to grapple with.”
“Then I’ll be all right about the eatin’,” replied Conover. “Knife,
soup, napkin, butter. Anything else?”
“Only about fifty more things,” answered Desirée, pessimistically. “Oh,
I do wish I were to be there to coach you!”
“Want an invitation?” asked Caleb, eagerly.
“How silly! At the eleventh hour? Of course I don’t. I hardly know
them. Besides I’m going to the musicale afterward. But I’m _so_ afraid
you’ll do something you ought not to. You won’t, _will_ you?”
“Most likely I will,” confessed Caleb, ruefully. “But I bought a book
to-day ’bout etiquette an’ I’m reading up a little. I’ve got one or
two pointers already. Napkins are servy--serv--”
Public-domain text, read in full here on John Shaqi.
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