Big-Game Hunters at Work 262
XLI. In a Lady's Chamber 266
XLII. A Walk in the Park 270
XLIII. Not even Powder-burnt 278
XLIV. Bob holds his Red Haid high 284
XLV. The Outlaw gets a Bad Break 290
XLVI. The End of a Crooked Trail 297
XLVII. The Kingdom of Joy 301
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THE FIGHTING EDGE
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THE FIGHTING EDGE
CHAPTER I
PETE'S GIRL
She stood in the doorway, a patched and ragged Cinderella of the desert.
Upon her slim, ill-poised figure the descending sun slanted a shaft of
glory. It caught in a spotlight the cheap, dingy gown, the coarse
stockings through the holes of which white flesh peeped, the heavy,
broken brogans that disfigured the feet. It beat upon a small head with a
mass of black, wild-flying hair, on red lips curved with discontent, into
dark eyes passionate and resentful at what fate had made of her young
life. A silent, sullen lass, one might have guessed, and the judgment
would have been true as most first impressions.
The girl watched her father drive half a dozen dogies into the mountain
corral perched precariously on the hillside. Soon now it would be dusk.
She went back into the cabin and began to prepare supper.
In the rickety stove she made a fire of cottonwood. There was a
business-like efficiency in the way she peeled potatoes, prepared the
venison for the frying-pan, and mixed the biscuit dough.
June Tolliver and her father lived alone on Piceance[1] Creek. Their
nearest neighbor was a trapper on Eighteen-Mile Hill. From one month's
end to another she did not see a woman. The still repression in the
girl's face was due not wholly to loneliness. She lived on the edge of a
secret she intuitively felt was shameful. It colored her thoughts and
feelings, set her apart from the rest of the world. Her physical
reactions were dominated by it. Yet what this secret was she could only
guess at.
A knock sounded on the door.
June brushed back a rebellious lock of hair from her eyes with the wrist
above a flour-whitened hand. "Come in."
A big dark man stood on the threshold. His glance swept the girl,
searched the room, and came back to her.
"Pete Tolliver live here?"
"Yes. He's lookin' after the stock. Be in soon, likely."
The man closed the door. June dragged a chair from a corner and returned
to her cooking.
From his seat the man watched her. His regard was disturbing. It had a
quality of insistence. His eyes were cold yet devouring. They were
possessive, not clear but opaque. They did not look at her as other eyes
did. She felt the blood burning in her cheeks.
Public-domain text, read in full here on John Shaqi.
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