Critics -- Fiction; Interpersonal relations -- Fiction; Secrecy -- Fiction; Short stories, American; Women novelists -- Fiction
RETURNING to town I feverishly collected them all; I picked out each in
its order and held it up to the light. This gave me a maddening month,
in the course of which several things took place. One of these, the
last, I may as well immediately mention, was that I acted on Vereker’s
advice: I renounced my ridiculous attempt. I could really make nothing
of the business; it proved a dead loss. After all I had always, as he
had himself noted, liked him; and what now occurred was simply that my
new intelligence and vain preoccupation damaged my liking. I not only
failed to run a general intention to earth, I found myself missing the
subordinate intentions I had formerly enjoyed. His books didn’t even
remain the charming things they had been for me; the exasperation of my
search put me out of conceit of them. Instead of being a pleasure the
more they became a resource the less; for from the moment I was unable to
follow up the author’s hint I of course felt it a point of honour not to
make use professionally of my knowledge of them. I _had_ no
knowledge—nobody had any. It was humiliating, but I could bear it—they
only annoyed me now. At last they even bored me, and I accounted for my
confusion—perversely, I allow—by the idea that Vereker had made a fool of
me. The buried treasure was a bad joke, the general intention a
monstrous pose.
The great point of it all is, however, that I told George Corvick what
had befallen me and that my information had an immense effect upon him.
He had at last come back, but so, unfortunately, had Mrs. Erme, and there
was as yet, I could see, no question of his nuptials. He was immensely
stirred up by the anecdote I had brought from Bridges; it fell in so
completely with the sense he had had from the first that there was more
in Vereker than met the eye. When I remarked that the eye seemed what
the printed page had been expressly invented to meet he immediately
accused me of being spiteful because I had been foiled. Our commerce had
always that pleasant latitude. The thing Vereker had mentioned to me was
exactly the thing he, Corvick, had wanted me to speak of in my review.
On my suggesting at last that with the assistance I had now given him he
would doubtless be prepared to speak of it himself he admitted freely
that before doing this there was more he must understand. What he would
have said, had he reviewed the new book, was that there was evidently in
the writer’s inmost art something to _be_ understood. I hadn’t so much
as hinted at that: no wonder the writer hadn’t been flattered! I asked
Corvick what he really considered he meant by his own supersubtlety, and,
unmistakeably kindled, he replied: “It isn’t for the vulgar—it isn’t for
the vulgar!” He had hold of the tail of something; he would pull hard,
pull it right out. He pumped me dry on Vereker’s strange confidence and,
pronouncing me the luckiest of mortals, mentioned half a dozen questions
Public-domain text, read in full here on John Shaqi.
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