Critics -- Fiction; Interpersonal relations -- Fiction; Secrecy -- Fiction; Short stories, American; Women novelists -- Fiction
If I returned on several occasions to the little house in Chelsea I dare
say it was as much for news of Vereker as for news of Miss Erme’s ailing
parent. The hours spent there by Corvick were present to my fancy as
those of a chessplayer bent with a silent scowl, all the lamplit winter,
over his board and his moves. As my imagination filled it out the
picture held me fast. On the other side of the table was a ghostlier
form, the faint figure of an antagonist good-humouredly but a little
wearily secure—an antagonist who leaned back in his chair with his hands
in his pockets and a smile on his fine clear face. Close to Corvick,
behind him, was a girl who had begun to strike me as pale and wasted and
even, on more familiar view, as rather handsome, and who rested on his
shoulder and hung on his moves. He would take up a chessman and hold it
poised a while over one of the little squares, and then would put it back
in its place with a long sigh of disappointment. The young lady, at
this, would slightly but uneasily shift her position and look across,
very hard, very long, very strangely, at their dim participant. I had
asked them at an early stage of the business if it mightn’t contribute to
their success to have some closer communication with him. The special
circumstances would surely be held to have given me a right to introduce
them. Corvick immediately replied that he had no wish to approach the
altar before he had prepared the sacrifice. He quite agreed with our
friend both as to the delight and as to the honour of the chase—he would
bring down the animal with his own rifle. When I asked him if Miss Erme
were as keen a shot he said after thinking: “No, I’m ashamed to say she
wants to set a trap. She’d give anything to see him; she says she
requires another tip. She’s really quite morbid about it. But she must
play fair—she _shan’t_ see him!” he emphatically added. I wondered if
they hadn’t even quarrelled a little on the subject—a suspicion not
corrected by the way he more than once exclaimed to me: “She’s quite
incredibly literary, you know—quite fantastically!” I remember his
saying of her that she felt in italics and thought in capitals. “Oh when
I’ve run him to earth,” he also said, “then, you know, I shall knock at
his door. Rather—I beg you to believe. I’ll have it from his own lips:
‘Right you are, my boy; you’ve done it this time!’ He shall crown me
victor—with the critical laurel.”
Public-domain text, read in full here on John Shaqi.
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