Critics -- Fiction; Interpersonal relations -- Fiction; Secrecy -- Fiction; Short stories, American; Women novelists -- Fiction
“Just seen Vereker—not a note wrong. Pressed me to bosom—keeps me a
month.” So much I read on her paper while the cabby dropped a grin from
his perch. In my excitement I paid him profusely and in hers she
suffered it; then as he drove away we started to walk about and talk. We
had talked, heaven knows, enough before, but this was a wondrous lift.
We pictured the whole scene at Rapallo, where he would have written,
mentioning my name, for permission to call; that is _I_ pictured it,
having more material than my companion, whom I felt hang on my lips as we
stopped on purpose before shop-windows we didn’t look into. About one
thing we were clear: if he was staying on for fuller communication we
should at least have a letter from him that would help us through the
dregs of delay. We understood his staying on, and yet each of us saw, I
think, that the other hated it. The letter we were clear about arrived;
it was for Gwendolen, and I called on her in time to save her the trouble
of bringing it to me. She didn’t read it out, as was natural enough; but
she repeated to me what it chiefly embodied. This consisted of the
remarkable statement that he’d tell her after they were married exactly
what she wanted to know.
“Only _then_, when I’m his wife—not before,” she explained. “It’s
tantamount to saying—isn’t it?—that I must marry him straight off!” She
smiled at me while I flushed with disappointment, a vision of fresh delay
that made me at first unconscious of my surprise. It seemed more than a
hint that on me as well he would impose some tiresome condition.
Suddenly, while she reported several more things from his letter, I
remembered what he had told me before going away. He had found Mr.
Vereker deliriously interesting and his own possession of the secret a
real intoxication. The buried treasure was all gold and gems. Now that
it was there it seemed to grow and grow before him; it would have been,
through all time and taking all tongues, one of the most wonderful
flowers of literary art. Nothing, in especial, once you were face to
face with it, could show for more consummately _done_. When once it came
out it came out, was there with a splendour that made you ashamed; and
there hadn’t been, save in the bottomless vulgarity of the age, with
every one tasteless and tainted, every sense stopped, the smallest reason
why it should have been overlooked. It was great, yet so simple, was
simple, yet so great, and the final knowledge of it was an experience
quite apart. He intimated that the charm of such an experience, the
desire to drain it, in its freshness, to the last drop, was what kept him
there close to the source. Gwendolen, frankly radiant as she tossed me
these fragments, showed the elation of a prospect more assured than my
own. That brought me back to the question of her marriage, prompted me
to ask if what she meant by what she had just surprised me with was that
she was under an engagement.
Public-domain text, read in full here on John Shaqi.
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