Critics -- Fiction; Interpersonal relations -- Fiction; Secrecy -- Fiction; Short stories, American; Women novelists -- Fiction
Even before he had banged the door I had begun, book in hand, to prepare
myself to say it. I sat up with Vereker half the night; Corvick couldn’t
have done more than that. He was awfully clever—I stuck to that, but he
wasn’t a bit the biggest of the lot. I didn’t allude to the lot,
however; I flattered myself that I emerged on this occasion from the
infancy of art. “It’s all right,” they declared vividly at the office;
and when the number appeared I felt there was a basis on which I could
meet the great man. It gave me confidence for a day or two—then that
confidence dropped. I had fancied him reading it with relish, but if
Corvick wasn’t satisfied how could Vereker himself be? I reflected
indeed that the heat of the admirer was sometimes grosser even than the
appetite of the scribe. Corvick at all events wrote me from Paris a
little ill-humouredly. Mrs. Erme was pulling round, and I hadn’t at all
said what Vereker gave him the sense of.
CHAPTER II
THE effect of my visit to Bridges was to turn me out for more profundity.
Hugh Vereker, as I saw him there, was of a contact so void of angles that
I blushed for the poverty of imagination involved in my small
precautions. If he was in spirits it wasn’t because he had read my
review; in fact on the Sunday morning I felt sure he hadn’t read it,
though _The Middle_ had been out three days and bloomed, I assured
myself, in the stiff garden of periodicals which gave one of the ormolu
tables the air of a stand at a station. The impression he made on me
personally was such that I wished him to read it, and I corrected to this
end with a surreptitious hand what might be wanting in the careless
conspicuity of the sheet. I’m afraid I even watched the result of my
manœuvre, but up to luncheon I watched in vain.
Public-domain text, read in full here on John Shaqi.
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