The Fijians: A Study of the Decay of CustomThomson, Basil
History
The Fijians: A Study of the Decay of Custom
Thomson, Basil
Ethnology -- Fiji; Fijians
eighteenth century and saved by clinging to the deck-house when all her
companions perished.[13]
These are only a few out of a series of Polynesian immigrations that may
be numbered by hundreds, of which a tithe would suffice to account for
the Polynesian language and blood to be found in Fiji. A stepping-stone
in Fiji was necessary to Fornander's theory of Polynesian migrations,
and if he had not been blinded by his desire to find it, he would have
seen the obvious import of his declaration that in the eleventh century
the Polynesians had a _renaissance_ of navigation. Such a period of
unrest, of distant voyages undertaken with no compass but the stars, in
clumsy craft, on seas swept continually by a south-east wind, must have
resulted in numerous shipwrecks on the eastern shores of islands lying
to the westward.
His work contains but three appeals to Fijian folklore, which are,
besides, the only evidence he stops to specify. "In the Fijian group,
where much of ancient Polynesian lore, now forgotten elsewhere, is still
retained, the god 'Ndengei,' according to some traditions, is
represented with the head and part of the body of a serpent, the rest of
his form being of stone." This he regards as a trace of serpent-worship,
a "peculiarly Cushite out-growth of religious ideas." If this be
evidence of Polynesian kinship, then were the ancient
serpent-worshippers of Kentucky also Polynesian, together with a host
of other races, who, being human, evolved the religious ideas common to
humanity. Moreover, the serpent nature of Ndengei is a modern gloss
added by the poets of Raki-raki after the Ancestor-god had been
consigned to the gloomy cavern of Nakauvandra, for to the Fijian of the
west every cave has a monstrous eel or serpent lurking in its recesses,
and issuing to glut its maw upon unwary mortals who venture too near.
[Pageheader: TRADITION OF A DELUGE]
Public-domain text, read in full here on John Shaqi.
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